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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Believe. Connect. Disappear.

Richard J. Clark · October 2, 2015

HAVE MELLOWED considerably in my old age. So I thought. But it’s not true. Even if I have, it’s not saying much. I have a very long way to go. But if I’ve softened in some ways, I’ve become much more intense in others. Priorities are clarified and heightened. Yet, the soul is relatively more centered, I pray.

And then there are days I feel I’m more of a mess than I’ve ever been. Then it’s time to remember God is in charge, and we are to serve Him.

Service to God and the faithful is the primary responsibility of our roles in the liturgy. If I have calmed my musical approach as an organist or director, it is because I have become more intense about this notion of service.

For example, the older I get, the more I spend time practicing and preparing hymns and service music. I play mass every day. Shouldn’t I know these, just show up and play them? Yes, I could do that. But I’m spending even more time choosing the specifics of text, tune, harmonization, and registration. Why? Because this is one of the most important things I must do in a week. I owe it to the people and to God. The flashy postlude is of far lesser importance.

As years go by, I prepare more—not in order to receive accolades—but to become invisible. To be solid, reliable, and therefore unnoticed is an essential goal these days. My, I have mellowed! But not: to lead and uplift while pointing away from myself and toward God is the ultimate goal I’m chasing.

R. RYAN DUNS, S.J., a newly ordained priest, shared with me a simple guide from his homiletics class: Believe. Connect. Disappear. It is something he clearly puts into practice during his wonderfully edifying homilies. This is also a great model for liturgical musicians.

We must not only make beautiful music on the surface. We must also believe fervently in our hearts in order to inspire and therefore connect.

Then we must step aside in order to allow the faithful to take this sacred melody and text into their hearts.

ALL SACRED MUSIC MUST BE CENTERED IN CHRIST. It must point to God alone and to no one else. Doing so serves the faithful. As musicians for the liturgy, this is our true goal.

AMDG

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The free space which the new order of Mass gives to creativity it must be admitted, is often excessively enlarged. The difference between the liturgy with the new liturgical books, as it is actually practiced and celebrated in various places is often much greater than the difference between the old and new liturgies when celebrated according to the rubrics of the liturgical books.”

— Cardinal Ratzinger (1998)

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  • “Holy Name Hymn” (2-Voice Arrangement)

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