• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

The Only “Credential” That Matters

Jeff Ostrowski · November 9, 2015

133 Fr. George Rutler Y REFLECTION TODAY ties in with a phenomenal article (SEE BELOW), wherein Fr. George Rutler speaks about credentials. For a long time, I’ve wanted to write a series of articles encouraging my fellow choirmasters—and sharing some pointers I’ve picked up—because being a choirmaster is an extremely difficult job. The problem is, it’s not easy to know where to begin. I’ve been directing choirs since I was a teenager, yet each Sunday I learn so much!

Let me share something that might be considered an overriding principle. There is only one credential that matters: how your choir sounds. 1 You can have multiple diplomas from great universities, but an astute listener will ascertain in fifteen seconds what kind of director you are…by hearing your choir sing. The great Roger Wagner said over and over again, “Never apologize for your choir, because they’re as good as you are!”

One of Roger Wagner’s good friends—who, by the way, was a brilliant scholar with several doctorates—told me, “Only two people in any school have to demonstrate results: the coach and the music teacher.” His point was, the other teachers operate behind closed doors and never publicly demonstrate their students’ abilities. And he was absolutely right.

Mozart once said: “Play the keyboard with your nose, if you like—just do whatever’s necessary to get results!”

I say again: The only credential that matters is how your choir sounds.

Here’s the article by Fr. George Rutler:

N ASTUTE PROFESSOR once said that political wrangling in universities is so vicious because the stakes are so small. There are those in proverbial ivory towers who will struggle to get control of a faculty or become an assistant dean with an animus that would ill befit a general in battle. There is one caveat here, though, and it is this: the stakes are not so small when you consider that professors can shape the minds of a whole generation.

A recent letter in The New York Times signed by Catholic academics, objected that a columnist had no right to comment on the recent Synod in Rome because he had no theology degree. This ignored the fact that none of that newspaper’s columnists who frequently attack Catholic doctrine have any such scholarly decorations. It also defied the call for more vocal involvement of the laity that the signatories to the letter claim to champion as self-styled progressives.

Academia is rife with censorship in the form of political correctness, but it cannot totally smother the truth, which is supposed to be the substance and goal of learning, expressed in the plethora of school mottoes: Veritas, Lux et Veritas, Veritas Vos Liberabit, etc.

An example of insuppressible prophecy was Dr. Anca-Maria Cernea, a representative of the Association of Catholic Doctors of Bucharest, Romania at the Synod on the Family in Rome. In the midst of speeches of varying quality, her brief remarks set a unique tone in the assembly of bishops and consultants. She spoke of her parents who were engaged to be married, but waited seventeen years while her father was a political prisoner of her country’s harsh dictatorship, and her mother kept vigil all that time, not knowing if he was dead or alive. She went on to say:

The Church’s mission is to save souls. Evil, in this world, comes from sin. Not from income disparity or ‘climate change.’ The solution is: Evangelization. Conversion. Not an ever increasing government control. Not a world government. These are nowadays the main agents imposing cultural Marxism on our nations… Our Church was suppressed by the Soviet occupation. But none of our 12 bishops betrayed their communion with the Holy Father… Now we need Rome to tell the world: ‘Repent of your sins and turn to God, for the Kingdom of Heaven is near.’

Seven of the twelve bishops she mentioned died in prison. It was a sobering reflection during a Synod where there were not a few receptions and much dining, most innocent in themselves but different in tone from the laments of the countless Christians suffering in the Middle East. It was also very different in urgency from the offended academics whose pomposity was pricked by an “unqualified” newspaper columnist. They should have been more offended by the Romanian doctor whose only theological credentials were bestowed by the witness of her parents and the blood of her bishops.

Here’s the SOURCE of this article.

OUR WORLD IS FILLED with verbal bullies and falsehoods. Because of this, I sometimes feel overwhelmed—so many falsehoods and lies! Yet, choirs must sing the same (true & holy) words in perfect unity, and in my view this acts as a type of “counterweight” to the falsehoods. I realize that may sound weird, but it’s how I feel. In Church, a whole group of people join their voices in perfect unity to publicly adore Jesus Christ. What a wonderful thing! However, as I said before, getting a bunch of people to think & breathe & sing together is quite difficult. Moreover, if the choir members are not perfectly unified, everyone in the pews can tell.



NOTES FROM THIS ARTICLE:

1   The same holds true for composers. Some of today’s composers fill book after book with pretty words and have tons of degrees. Yet, when they put down notes on paper they cannot hide their abilities, their inspiration, their understanding of counterpoint, and so forth. It’s as if their very soul is exposed for all to see.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Fr George William Rutler Last Updated: October 6, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

In the ’60s, I thought this emphasis on congregational singing was to encourage good Catholic hymns like “Immaculate Mary” and so forth … but after the Council, they threw them out, too!

— ‘Fr. Valentine Young, OFM (2007)’

Recent Posts

  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Goofy 1974 Hymn • “A Man Can Kill With a Gun, a Bomb, or a Lance”
  • They did a terrible thing
  • What surprised me about regularly singing the Gloria in Latin

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.