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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Novus Ordo Can Be Done Well!

Andrew Leung · May 14, 2015

CTL Novus Ordo can be done Well HANKS TO our beloved Pope Emeritus Benedict XVI, the Extraordinary Form Mass of the Roman Rite can be said by any priest at anytime now. And it is being said throughout the whole world now. However, a new “problem” is coming up. Have you said or heard others say something like: “the Extraordinary Form (EF) is just better than the Ordinary Form (OF)”; or “the OF is done so bad and it is not even valid”; or other similar words and negative ideas of the Mass? The reality is that our Lord is present at every valid Mass and the miracle of Transubstantiation happens at both EF and OF. The priest acts as Christ himself—in persona Christi—in the Mass whether it is EF or OF. Having preferences is fine, but to dislike one of the Forms itself may be a problem.

In the recent time of the Church’s history, a very holy priest wrote this famous line:

“The Mass is long,” you say, and I reply: “Because your love is short.”|

And yes, the holy priest is St. Josemaría Escrivá, the founder of Opus Dei and my favorite saint. This line is from his book The Way. He has a great love for the Liturgy and he encourages everyone else to have the same love. Under his guidance, the priests of Opus Dei devote their lives saying the Novus Ordo Mass faithfully and in a very traditional way. This video of their 2015 Ordination reminds me of how well they celebrate the Mass. But what I really want to share is the video below. This is the highlights of the Mass of Thanksgiving for the Beatification of Álvaro del Portillo, the successor of St. Josemaría. It was celebrated in Madrid by Bishop Echevarría Rodríguez in Madrid back in September of 2014:


The video of the whole Mass can be found here. I noticed a few things from this Mass that we don’t always see in the OF Mass:

• The noble simplicity of the Bishop’s vestments and the setup of the sanctuary|
• The Mass was sung in Latin; the Bishop chanted all the prayers and the dialogues|
• The homily was given from the “throne”|
• The Bishop held his fingers together when holding the chalice and after the Consecration|
• Communion was received kneeling and on the tongue; patens were used at all the stations

If you like watching the videos of Masses with Pope Benedict, you will like watching this Mass too. The Novus Ordo can be done well and this is a great example. It was celebrated recently, publicly, and in the presence of so many Catholic prelates.

Those interested in St. Josemaría and the Liturgy will enjoy the following three short paragraphs, taken from The Way :

Show veneration and respect for the holy liturgy of the Church and for its ceremonies. Observe them faithfully. Don’t you see that, for us poor humans, even what is greatest and most noble enters through the senses?

The Church sings, it has been said, because just speaking wouldn’t satisfy its desires for prayer. You, as a Christian—and a chosen Christian—should learn to sing the liturgical chant.

“Let’s burst into song!” said a soul in love, after seeing the wonders that our Lord was working through his ministry. And the same advice I give to you: Sing! Let your grateful enthusiasm for your God overflow into joyous song.




NOTES FROM THIS ARTICLE:

Editor’s Note • There is a rumor that St. Josemaría Escrivá offered the 1962 Missal exclusively. If this is true, it does not have an important bearing upon this beautiful article by Andrew Leung, since he focuses on the Opus Dei priests. The Opus Dei priests offer the Ordinary Form.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Josemaria Escriva Novus Ordo Liturgy Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

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