• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Adoremus & the Way Forward

Fr. David Friel · March 22, 2015

AST MONTH’S edition of The Adoremus Bulletin (February 2015, Vol. XX, No. 5) is noteworthy for several reasons. First and foremost, it is characteristically rich in content.

Included in this issue is an excellent ink drawing of the Last Judgment by Daniel Mitsui, whose drawings frequently appear in the Catholic literary journal Dappled Things. There is also a fine article by Susan Benofy offering an introduction to the many resources now available for singing the Propers of the Mass. Several CCW resources are included in her presentation.

February’s Bulletin further includes a thought-provoking piece entitled, Reflections on the Youth Mass and photos of Duncan Stroik’s latest project, St. Paul the Apostle Church in Spartenburg, South Carolina.

N ADDITION to all this quality content, the February edition contains a letter from Fr. Reverend Jerry J. Pokorsky, one of the members of the executive committee governing Adoremus. The letter details some of the struggles the board has encountered since the unexpected death of Helen Hull Hitchcock, the remarkable woman whose vision, humility, and tenacity accomplished so much good for Holy Mother Church. I would encourage you to read the short letter in full, but here are some of its highlights:

Dear Friends and Benefactors of Adoremus:

It is with sorrow that I report that we have decided it would be best for Adoremus to take a hiatus in the months ahead as we continue to work to sustain this important apostolate promoting the liturgical vision of Pope Benedict XVI. This means that this issue of the Adoremus Bulletin will be the last for the foreseeable future—with reasonable hopes for a comeback sometime down the road.

After the death of our editor, Helen Hull Hitchcock, we were hoping we would be able to continue our work with a few administrative tweaks. But after a thorough review of our finances it is clear that we simply cannot sustain continuing costs. It has become evident that we need to move sooner rather than later. We will need our small nest egg of savings to keep Adoremus on life support in the months ahead. . . .

In the meantime, we will do our best to maintain the Adoremus website until a new editor with the same vision and vigor (well, at least some of the same vigor that Helen had) takes the reins. Of course, we have always operated on a shoestring budget so we can promise the new editor — when he or she is found—a great job with low pay and few fringe benefits.

The good news is that we are hoping the months ahead represent merely a transitional period. . . . If you have made contributions in the recent past know that your donations did not—and will not—go to waste. We did our best and we think this is the best interim solution. We consider this a “controlled crash,” so that after repairs and with God’s grace this important apostolate may one day take flight again. Thank you for your generous support over your years as members of the Adoremus family. We continue to hope for a trickle of donations to help us work through this difficult period. . . .

May God reward your generosity and kindness.

DOREMUS has been a positive force in the Church since 1995, when it was founded for the purpose of promoting authentic reform in the Roman Rite. Now the organization needs our help to continue its important work.

Jeff Ostrowski paid tribute to Helen upon her death in October, noting that Adoremus was the single most important organization dedicated to the sacred liturgy for nearly two decades. May the Lord continue the good work He has begun in and through Adoremus!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Helen Hull Hitchcock Adoremus, Joseph Cardinal Ratzinger Liturgy, Reform of the Reform Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“We cannot approve of the attitude of those who use the problems raised and discussed by the Council to create in themselves and in others an attitude of unrest and a desire for radical reformation, as if the Council gives every private opinion a chance to destroy the heritage of the Church. acquired during Her many centuries of history and experience.”

— Pope Paul VI (30 June 1965)

Recent Posts

  • PDF • “O Come All Ye Faithful” (Simplified)
  • Bing Crosby, Christmas, and Catholicism
  • 💰 Are Church Musicians Paid Too Little?
  • PDF Download • “In Paradisum” in English
  • “O Antiphons” Elevated?

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.