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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A hymnal in e-book format

Veronica Brandt · June 6, 2015

Gloria a Latin Hymnal OU MAY HAVE ALREADY SUNG from an electronic copy of the Liber Usualis. It was most likely a PDF, or perhaps you have the fancy Liber Pro app from iTunes.

Or you may have a collection of electronic copies of old hymnbooks already lying around the corners of your computer’s hard drive.

Most PDF books are simply scanned images. They can be slow to load and clunky to navigate. A better way might be to combe images of the music with regular text which can set out section headings, translations and explanations.

Enter the Gloria Latin Hymnal: 100 Traditional Latin Hymns in Gregorian Notation with English Translations by Patrimonium Publishing. It is a regular ebook available through Amazon combining images of Gregorian chant typeset with gregorio following each piece with an English translation in plain text.

There are lots of old favorites as well as a surprising number of pieces I have never heard before. How many of you have sung the Memorare? How about O Sanctissima in Gregorian notation? The sources include Cantus Mariales from 1903 by Dom Pothier, which must be where many of these gems come from.

If you are a blithe owner of a Kindle or not concerned with the details of typographical layout, feel free to stop reading here and go check out a free sample from Amazon.

The really impressive thing here is the technical juggling involved in preparing music for such a limited medium. It is crazy enough to try formatting a hymnal for a printed page, but for a format designed for flowing pages of uninterrupted text is quite a challenge.

The compiler, Michael Phillips, carefully tailored the book for a regular Kindle device. He chose the breaks in the music to allow enough space for the translation to fit on a 6” screen. That is probably a good median size to cater for, but on other devices the page dimensions change and the pictures and text act differently to fill the new space.

Here is how it looks on my cell phone:


laguentibus small text A page from the Gloria Hymnal on a phone.

Turning the phone on its side enlarges the music, but leaves no room for the translation, which overflows into its own page.

On the big screen the music becomes much clearer, but the translation shrinks relative to the music.


languentibus one page The same hymn on a large computer monitor.

You can change the text size setting in your ebook viewer as you wish. My picky side wants to fiddle with the default margin around the images, but I know this could upset how it works on other devices. Maybe, with time, Amazon will adjust their Cloud Reader to better adapt their ebooks for desktops. I don’t know, but I think I can live with it, especially as I get more absorbed in the actual content of the hymnal.

The reviews claim that all these hymns can be listened to by searching for recordings online. I’m not in a position to test that claim properly, but I would love to try.

I will be dipping into this little book for many months to come.

Maybe I’ll even get myself a Kindle.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Abbot Joseph Pothier of Solesmes, Cantus Mariales, Dom Pothier Cantus Mariales, Gregorio, Hymnbooks Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Many declare that Vatican Council II brought about a true springtime in the Church. Nevertheless, a growing number of Church leaders see this “springtime” as a rejection, a renunciation of her centuries-old heritage, or even as a radical questioning of her past and Tradition. Political Europe is rebuked for abandoning or denying its Christian roots; but the first to have abandoned her Christian roots and past is indisputably the post-conciliar Catholic Church.

— ‘Pope Francis’ Chief Liturgist (31 March 2017)’

Recent Posts

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  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant

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