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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Battles” in the Church (Part 1 of 2)

Andrew Leung · June 11, 2015

CTL Battles in the Church AST WEEK, one of the big news in the World of Sacred Music and Liturgy was the Resignation of Mr. John Romeri. According to reports, the resignation was due to different views on liturgical music between him and the Archbishop Chaput. While it was very sad to hear this new, I realize that tensions like this one are very common in the Church nowadays. There are people being labeled as “traditional” and others are accused of being “progressive”. I would like to share some of my observations and humble opinions on these “battles”. But before that, I want to be clear about my intention of this post. I am not trying to divide the Church, nor to start fights. I just want to point out these tensions and we can all work on solving the problems.

From my observation, tensions over the Liturgy can be summarize into these three “battles”:

(1) Theocentric Vs. Anthropocentric — Jeff Ostrowski shared a video the other day. In the video, we can see that the action of the priest was anthropocentric, regarding human being as the central. The Catholic Liturgy is supposed to be the exactly opposite, the Mass is a Sacred Mystery. It is not the work of man that has primacy in the celebration but the work of God, the Lord’s Death and Resurrection. We, the Christian faithful, are invited to participate in this mystery, the anticipation of the heavenly banquet. Therefore, God must be the center of the Liturgy and entertainment, whether it is in the form of music, speech/homily or dancing, should not be brought into the Liturgy.

(2) Liturgy Vs. Devotions — Since the Liturgy is the Sacred Mystery, the Church gave us some liturgical norms to help us enter into the Sacrifice of the Mass. These rubrics for the public Worship are not external appendices, but they express the reality of the Mystery and reveal our faith. In order to celebrate the Mass well, we must humble ourselves and follow these instructions even though we might prefer to pray in some other ways. To be faithful to the Liturgy is a practice of humility and obedience. There are many beautiful devotions that help people deepen their relationships with Christ and devotions definitely have their place in the Church, but not necessarily in the Liturgy. For example, there are Christian music, like This Little Light of Mine, that are not meant to be sung in the Liturgy but can be good for devotional purpose. To avoid this battle, we need to learn more about the Liturgy by reading Church documents and other books about the theology of the Mass.

(3) Reformation Vs. Revolution — The Liturgical Movement started in the beginning of the last century and the Vatican II both called for reformation of the Liturgy. “Tradition” is a term that appears a lot with the term “reformation”. The Church always talks about reforming or renewing the Liturgy in light of tradition. A revolution is to overthrow and destroy the old things and a reformation is to modify and renew, but preserving the tradition. A lot of modern church art, architecture and music were created with the idea of “revolution”, but not “reformation”. Unfortunately, the chapel of my alma mater is one of those examples. As Catholic, we need to understand the difference between these two terms and reform the Liturgy in light of tradition.

Again, I am not proposing fights here. In order to end these “battles”, dialogues, debates and discussions need to happen. On the other hand, there are some “battles” that should be stopped and I will be posting about them next week.

“Battles” in the Church (Part 2 of 2)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“By a decree of the synod of the diocese of Exeter in 1284, no one should claim any seat in a church; but whoever first entered a church for the purpose of devotion, might choose at his pleasure a place for praying.”

— A work by Fr. Husenbeth (d. 1872)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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