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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Father Richard McBrien & The Passing Of An Era

Jeff Ostrowski · January 26, 2015

425 Fred Thompson HOEVER CAME UP with the phrase “speak no ill of the dead” surely had good intentions, but there’s a problem here.

People who cite that phrase have no qualms about recounting the history of Adolf Hitler (who’s dead). The same people are comfortable speaking of Watergate and the involvement of Richard Nixon (who’s dead). Thousands more examples could be given. Only a hypocrite, then, would contend that objective facts about someone’s life are off limits once they’ve passed into eternity. Whether we like it or not, the objective facts remain.

That’s why, for example, I have no problem discussing Watergate, even though Richard Nixon died in 1994.

When I heard about the death of Fr. Richard McBrien, I found myself reflecting upon old questions which refuse to go away. Along with so many Catholics, I asked, “How could this man have remained a priest, while publicly denying so many fundamental Catholic teachings?” After all these years, I still don’t have an answer. In 2008, McBrien was asked why he remained in the Catholic Church. He answered, “I was born in it.” He failed to give the only correct answer, demonstrating that he lacked a basic understanding of the Faith. It is unacceptable to be a Catholic merely because one “was raised” Catholic or “feels comfortable” around Catholics. The only correct reason to be Catholic is that one believes in the truth of the Catholic Faith. 1

Much has been written concerning McBrien’s dissent. It bothered me tremendously that he usually wore his Roman collar only when he appeared on television. He even admitted it, declaring, “My Roman collar is my television uniform.” Hearing this makes me so agitated—and it doesn’t help that I’m half Irish. Appearing on television is the one time HE SHOULD NOT have worn his Roman collar. I would not object if he only wore his collar when caring for the poor, but appearing on television dressed as a priest while disssenting from the central truths of the faith I consider shameful. For the record, Fr. McBrien was not alone. Many years ago, I worked for a priest who always wore a Hawaiian shirt. Once—when an FSSP priest who always wore the cassock visited him—he emerged from his rectory wearing a cassock!  But only for that day.

As I’ve said, I cannot explain why someone like Fr. McBrien was allowed to remain a Catholic priest, but perhaps Bishop Fulton Sheen hit the nail on the head when he said, “If the Church were as holy and perfect as some would want, those same people would be too ashamed to seek admittance, because of their great sins.” That is to say, we should focus on our sins, not the errors of others. As usual, Sheen is right—but it’s not always easy.

EVEN IN THIS AGE OF LIES, there are still a few things—albeit only a very few—people will not tolerate. For example, after the Watergate tapes were made public, people would not tolerate Richard Nixon condemning “dishonest politicians.”

This has led to a surprising liturgical development. For years, those seeking to eliminate the Traditional Latin Mass insisted upon tolerance for diversity in worship. Therefore, when Catholics choose the Extraordinary Form, there’s nothing these folks can say without coming across as horrendous hypocrites. It never occurred to them that so many would ardently desire this venerable rite. They concentrated so strenuously on promoting “liturgical diversity” and “letting everyone have what he prefers” they boxed themselves into a corner.



NOTES FROM THIS ARTICLE:

1   Without question, other factors can also contribute. Fr. McBrien mentioned some other reasons, but failed to give the only authentic answer; which is kind of scary considering the education he received.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Watergate Scandal Last Updated: September 25, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“If I could only make the faithful sing the Kyrie, the Gloria, the Credo, the Sanctus, and the Agnus Dei…that would be to me the finest triumph sacred music could have, for it is in really taking part in the liturgy that the faithful will preserve their devotion. I would take the Tantum Ergo, the Te Deum, and the Litanies sung by the people over any piece of polyphony.”

— ‘Giuseppe Cardinal Sarto, Letter to Msgr. Callegari (1897)’

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