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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Preparing for Candlemas

Veronica Brandt · January 24, 2015

Candle clip art ANY YEARS AGO WE BRAVED the local Greek Orthodox candle factory, part of their monastery. They have a sign at the entrance with the dress code and there’s a donkey and they have the most beautiful chapel with wall to wall icons and candles and it is awesome. We bought a box of candles a little over a foot long each. They are a rather bright orange colour, but burn well and have lasted all these years – the last two are just under half burnt, and Candlemas is coming.

Buying a year’s supply of candles to be blessed is just one part of preparing for Candlemas – the feast of the Presentation of Our Lord and the Purification of the Blessed Virgin Mary. It falls 40 days after Christmas on the 2nd of February. That’s the Monday after next.

I mentioned Candlemas to a young member of another choir and she said that the thing she hates about Candlemas is having to hold a candle in one hand and a heavy Liber in the other and sing. That’s because there’s a procession.

Now as a non-choir youngster I loved processions. The thing that annoyed me though, was when I got stuck in the middle of a non-singing bunch of congregants and couldn’t hear the choir and didn’t know the music that well anyway.

So, to prepare for Candlemas – Learn The Music! Now is a great time to start. There are two Sundays to recruit singers and next Saturday you could have a big Farewell to Alleluia Party with Candlemas choir practice.

What follows is the music for the Extraordinary Form as I understand it.

The first antiphon is very easy – Lumen ad Revelationem Gentium. You’ll be humming it all day. This is sung for the distribution of candles. It’s on page 11 of A New Book of Old Hymns and I made this short recording for my choir.

Adorna thalamum is the first antiphon for the procession.

It revolves around one note – Do. If you can get that one note in your head then you will never be too far off track.

At the end of the procession comes Obtulerunt, which is a Responsory – that means there is a small part which is repeated, which is very handy when you are learning new music. I run through this piece in this recording.

You can download a handy pdf of the music for the procession and the propers of the Mass from the Institute of Christ the King. They include an extra antiphon for the end of the distribution of candles, which I understand was removed in 1960. It sounds like many places leave out the second antiphon for the Procession –

The introit and the gradual use some very familiar musical patterns. If you are already familiar with the Gregorian chant propers they will be easy to learn, otherwise they will be well worth learning. They can be found among the recordings from Sao Paolo, Brazil.

If you are in the vicinity of Glenbrook in the Lower Blue Mountains, NSW, Australia, on Monday 2nd February, there will be Mass and Procession starting at 10.30am at St Finbar’s Catholic Church. The church may look odd, but the acoustics are fantastic.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

[to the executioner] Sir Thomas More: “I forgive you right readily.” [gives him a coin] “Be not afraid of your office; you send me to God.” Archbishop Cranmer: “You’re very sure of that, Sir Thomas?” More: “He will not refuse one who is so blithe to go to him.” [kneeling, he places his head on the chopping block]

— From “A Man for All Seasons” (1960 play by Robert Bolt)

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