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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Preparing for Candlemas

Veronica Brandt · January 24, 2015

Candle clip art ANY YEARS AGO WE BRAVED the local Greek Orthodox candle factory, part of their monastery. They have a sign at the entrance with the dress code and there’s a donkey and they have the most beautiful chapel with wall to wall icons and candles and it is awesome. We bought a box of candles a little over a foot long each. They are a rather bright orange colour, but burn well and have lasted all these years – the last two are just under half burnt, and Candlemas is coming.

Buying a year’s supply of candles to be blessed is just one part of preparing for Candlemas – the feast of the Presentation of Our Lord and the Purification of the Blessed Virgin Mary. It falls 40 days after Christmas on the 2nd of February. That’s the Monday after next.

I mentioned Candlemas to a young member of another choir and she said that the thing she hates about Candlemas is having to hold a candle in one hand and a heavy Liber in the other and sing. That’s because there’s a procession.

Now as a non-choir youngster I loved processions. The thing that annoyed me though, was when I got stuck in the middle of a non-singing bunch of congregants and couldn’t hear the choir and didn’t know the music that well anyway.

So, to prepare for Candlemas – Learn The Music! Now is a great time to start. There are two Sundays to recruit singers and next Saturday you could have a big Farewell to Alleluia Party with Candlemas choir practice.

What follows is the music for the Extraordinary Form as I understand it.

The first antiphon is very easy – Lumen ad Revelationem Gentium. You’ll be humming it all day. This is sung for the distribution of candles. It’s on page 11 of A New Book of Old Hymns and I made this short recording for my choir.

Adorna thalamum is the first antiphon for the procession.

It revolves around one note – Do. If you can get that one note in your head then you will never be too far off track.

At the end of the procession comes Obtulerunt, which is a Responsory – that means there is a small part which is repeated, which is very handy when you are learning new music. I run through this piece in this recording.

You can download a handy pdf of the music for the procession and the propers of the Mass from the Institute of Christ the King. They include an extra antiphon for the end of the distribution of candles, which I understand was removed in 1960. It sounds like many places leave out the second antiphon for the Procession –

The introit and the gradual use some very familiar musical patterns. If you are already familiar with the Gregorian chant propers they will be easy to learn, otherwise they will be well worth learning. They can be found among the recordings from Sao Paolo, Brazil.

If you are in the vicinity of Glenbrook in the Lower Blue Mountains, NSW, Australia, on Monday 2nd February, there will be Mass and Procession starting at 10.30am at St Finbar’s Catholic Church. The church may look odd, but the acoustics are fantastic.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“Church officials frequently asked Tomás Luis de Victoria for his opinion on cathedral appointments because of his fame and knowledge. He was faithful to his position as convent organist even after his professional debut as an organist, and never accepted any extra pay for being a chapelmaster. Held in great esteem, his contract allowed him frequent travel away from the convent, and he attended Palestrina’s funeral (in Rome) in 1594.”

— ‘Dr. Robert Stevenson, 1961 (mod.)’

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  • PDF Download • “Funeral Procession”
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  • PDF Download • Ascension “Entrance Chant”

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