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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Controversy Over Female Altar Servers

Jeff Ostrowski · February 14, 2015

313 GIRLS OST WOULD AGREE that it would be strange if I prayed the following prayer each night: “Please, Lord, let me get pregnant.” The simple fact is, men and woman are different. However, modern society does not allow us to speak about the differences, so I won’t.

I love little girls and ardently want them to be happy & holy. I’m sure most Catholic priests do, too.

Let us now consider a recent video which says a “controversial new policy” excludes girls:

      * *  Local News Video • “Controversial New Policy”

Throughout the video, the Church’s 2,000 year tradition is conveniently never mentioned. Obviously, we cannot expect too much from local news stations, since they’re notoriously horrible and underfunded. On the other hand, videos on this topic have crossed the threshold into the absurd. A similar video interviews one woman who says, “If I were a parent at that school, I’d probably be upset.” Couldn’t they locate an actual mother from that school?

Here’s a quick overview of how female altar servers came about. Pope Paul VI first permitted the possibility of women readers around 1969—if local bishops gave their approval—and the American bishops did so immediately:

314 Women as readers


Notice that women were placed outside the Sanctuary and could only read in the absence of a “qualified” male reader. However, Pope Paul VI said clearly on 5 September 1970 (Liturgicae Instaurationes) that women could not serve at the altar:

7. In conformity with norms traditional in the Church, women (single, married, religious), whether in churches, homes, convents, schools, or institutions for women, are barred from serving the priest at the altar.   (5 September 1970)

Pope Saint John Paul II said the same thing (Inaestimabile Donum) on 3 April 1980:

18. There are, of course, various roles that women can perform in the liturgical assembly: these include reading the Word of God and proclaiming the intentions of the Prayer of the Faithful. Women are not, however, permitted to act as altar servers.   (3 April 1980)

On 15 March 1994, the Vatican gave permission to individual bishops to allow female altar servers, with two important reminders:

“The permission given in this regard by some Bishops can in no way be considered as binding on other Bishops.”

“The Holy See wishes to recall that it will always be very appropriate to follow the noble tradition of having boys serve at the altar.”   (15 March 1994)

The videos we saw demonstrate how difficult (impossible?) it is for priests to continue the 2,000-year-old tradition in the Ordinary Form. For the record, the diocese of Lincoln—which does not have female altar servers—is a leader when it comes to priestly vocations.

SOME SAY that to withhold anything from young ladies is wrong. I’m not convinced that’s true. For example, in the Extraordinary Form, nobody except the priest is allowed to touch the Sacred Eucharist—and this applies to both men & women. I feel this is powerful, awesome, and wonderful. It is a mark of respect. I don’t see it as insulting towards anyone.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Ordained a diocesan priest on 7 October 1827, Guéranger was quickly named a canon (a member of the cathedral chapter of Tours). Around 1830, he demonstrated his interest in the liturgy when he began to use the Roman Missal and texts for the Divine Office, unlike many of his colleagues, who still made use of the diocesan editions commonly in use in pre-Revolutionary France.”

— Source unknown

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  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant

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