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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Controversy Over Female Altar Servers

Jeff Ostrowski · February 14, 2015

313 GIRLS OST WOULD AGREE that it would be strange if I prayed the following prayer each night: “Please, Lord, let me get pregnant.” The simple fact is, men and woman are different. However, modern society does not allow us to speak about the differences, so I won’t.

I love little girls and ardently want them to be happy & holy. I’m sure most Catholic priests do, too.

Let us now consider a recent video which says a “controversial new policy” excludes girls:

      * *  Local News Video • “Controversial New Policy”

Throughout the video, the Church’s 2,000 year tradition is conveniently never mentioned. Obviously, we cannot expect too much from local news stations, since they’re notoriously horrible and underfunded. On the other hand, videos on this topic have crossed the threshold into the absurd. A similar video interviews one woman who says, “If I were a parent at that school, I’d probably be upset.” Couldn’t they locate an actual mother from that school?

Here’s a quick overview of how female altar servers came about. Pope Paul VI first permitted the possibility of women readers around 1969—if local bishops gave their approval—and the American bishops did so immediately:

314 Women as readers


Notice that women were placed outside the Sanctuary and could only read in the absence of a “qualified” male reader. However, Pope Paul VI said clearly on 5 September 1970 (Liturgicae Instaurationes) that women could not serve at the altar:

7. In conformity with norms traditional in the Church, women (single, married, religious), whether in churches, homes, convents, schools, or institutions for women, are barred from serving the priest at the altar.   (5 September 1970)

Pope Saint John Paul II said the same thing (Inaestimabile Donum) on 3 April 1980:

18. There are, of course, various roles that women can perform in the liturgical assembly: these include reading the Word of God and proclaiming the intentions of the Prayer of the Faithful. Women are not, however, permitted to act as altar servers.   (3 April 1980)

On 15 March 1994, the Vatican gave permission to individual bishops to allow female altar servers, with two important reminders:

“The permission given in this regard by some Bishops can in no way be considered as binding on other Bishops.”

“The Holy See wishes to recall that it will always be very appropriate to follow the noble tradition of having boys serve at the altar.”   (15 March 1994)

The videos we saw demonstrate how difficult (impossible?) it is for priests to continue the 2,000-year-old tradition in the Ordinary Form. For the record, the diocese of Lincoln—which does not have female altar servers—is a leader when it comes to priestly vocations.

SOME SAY that to withhold anything from young ladies is wrong. I’m not convinced that’s true. For example, in the Extraordinary Form, nobody except the priest is allowed to touch the Sacred Eucharist—and this applies to both men & women. I feel this is powerful, awesome, and wonderful. It is a mark of respect. I don’t see it as insulting towards anyone.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Every medicine does not suit every stage of sickness; because the tonic given to those who are recovering from fever would be hurtful to them if given while yet in their feverish condition. So likewise Baptism and Penance are as purgative medicines, given to take away the fever of sin; whereas this sacrament [the Sanctissimum] is a medicine given to strengthen, and it ought not to be given except to them who are quit of sin.”

— Saint Thomas Aquinas Re: the EUCHARIST

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  • “Adeste Fideles” • Too Many Translations!

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