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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Myth That Needs To Die

Jeff Ostrowski · December 28, 2015

910 Low Mass Before Vatican II NACCURATE MYTHS are often repeated with regard to the “typical” American Catholic parish of the 1950s. These rumors—often started by people disparaging the Holy Catholic Church—are presented in a dogmatic way, and then folks who don’t know any better mimic them. It is time for such assertions to cease.

A very common version goes something like this:

The Catholic Church before Vatican II focused on externals, never stressing a personal relationship with the Lord. The priests rushed through Mass as quickly as possible—to get it over with—which made no difference because priests in those days didn’t understand the prayers (recited in Latin). Low Mass often lasted 15 minutes, and the Requiem was frequently chosen because it was shorter; not because of the priest’s sincere desire to offer prayers for the dead (something the Curé of Ars encouraged with all his strength).

I got so tired of hearing this, I sent an email to five priests ordained before the Second Vatican Council. They all said these myths were total nonsense, and not representative of the 1950s. Here’s one:

Jeff, I never heard that and I never knew any priests who said or did that. I never witnessed a Mass in the so-called “extraordinary form” done in 15 minutes. The normal time for a side altar—that is, a Mass with no congregation but with just a server—was 25-30 minutes. A Requiem Mass was slightly shorter, especially if the Sequence (optional) was not recited. And that is still the case with Masses said at the seminary, e.g. the FSSP Seminary in Nebraska.

When people make a statement like the one you quoted, I simply tell them that this was not my experience—because it wasn’t. My High Masses on Sunday with a sermon usually take an hour and five minutes. My daily low Masses with congregation normally last about 35 minutes. That is without a sermon; and I don’t preach on weekdays! People are preached at too much nowadays… Regarding preaching, we were taught in the seminary that “the preacher should always end his sermon while the people still wanted to hear more!” Some preachers don’t know when to stop!

(Regarding what he says about the Dies Irae Sequence, it was not said 1 on certain days.)

Another “preconciliar” priest—not the one quoted above—recently sent me this powerful & beautiful prayer:

915 Daily Prayer


Regarding how well priests knew Latin back then, I correspond with 5-6 preconciliar priests through email. All of them know Latin not only “sufficiently” but fluently. Some of the traditional orders these days are teaching Latin to their seminarians, and this is fantastic. 2 But most priests—even good & holy ones who offer the Extraordinary Form—are not fluent in Latin, the way these 5-6 preconciliar priests are. We must continue to work, and hopefully we will again reach preconciliar level!



NOTES FROM THIS ARTICLE:

1   Prior to the reforms of Pope John XXIII—which were incorporated into the 1962 editions of the Roman Missal—the Sequence Dies Irae was supposed to be said or sung (depending on whether it was a Low Mass or a High Mass) at all Requiem Masses. The only exception was the so called “Daily Mass for the Dead.” Its recitation was optional at a “daily” Low Mass. (A daily Low Mass could be offered on feasts lower than a double. Today, it would mean a 4th class day.) In 1962, the Dies Irae became obligatory at all Funeral Masses and during one Mass on 2 November, unless the second and third Masses are High Masses.

2   Canon Law requires that all priests of the Latin Rite—both Ordinary Form and Extraordinary Form—possess a knowledge of Latin, because so much of the Roman Catholic teachings are in that language.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“Angularis fundamentum” is typically sung at the dedication or consecration of a church and on church anniversaries. For constructions too numerous to list in recent generations, it would be more appropriate to sing that Christ had been made a temporary foundation. A dispirited generation built temporary housing for its Lord, and in the next millnenium, the ease of its removal may be looked back upon as its chief virtue.

— Fr. George Rutler (2016)

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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