About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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“In my capacity as the prefect of the Congregation for Divine Worship and the Discipline of the Sacraments, I continue to remind all that the celebration toward the East (versus orientem) is authorized by the rubrics of the missal, which specify the moments when the celebrant must turn toward the people. A particular authorization is, therefore, not needed to celebrate Mass facing the Lord.”
— Robert Cardinal Sarah, 23 May 2016

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The Weirdest Thing About Renaissance Motets
published 22 August 2015 by Jeff Ostrowski

ID YOU KNOW Renaissance composers would often include the names of Catholics from the congregation in the actual motets sung at Mass? There are several famous examples, but here’s one which is not so well known:

    * *  PDF Orlando de Lassus “SALVE FESTA DIES

The piece includes the name of a priest named “Reusch” who was celebrating his first Mass:

789 Reuschius


Dr. Peter Bergquist (who taught at the University of Oregon for thirty years) is not sure who that priest might have been:

4489 Reuschius


Can you imagine if the polyphonic choir at my wedding sang the name “Jeff Ostrowski” during the piece? People would have been shocked!

This type of thing was often done by rich people getting married; they would commission a special motet for the occasion. Moreover, the composer would frequently make sure the name was REALLY PROMINENT so nobody would miss it. Pretty weird, huh?