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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

August 1970 • “Graduale Simplex Doc” (12 pages)

Jeff Ostrowski · January 5, 2026

HOSE HUMAN BEINGS who remain tethered to reality—and by ‘reality’ I mean the Sacramental life, with constant cognizance of one’s eternal destiny—take pains to avoid sensationalism, tabloid journalism, and people whose entire existence is dedicated to amassing “clicks.” I certainly don’t want to be considered a sensationalist lunatic; and precisely for that reason I usually avoid mentioning the GRADUALE SIMPLEX. If one speaks with honesty about that book, one quickly descends into language that makes one come across as hysterical, unrestrained, and melodramatic.

Speaking Candidly • The fact is, the GRADUALE SIMPLEX was a colossal failure. Similar to polyester vestments and church wreckovations, its sad legacy is bound up with everything irresponsible about the 1960s liturgical reforms. Indeed, when Msgr. Hannibal Bugnini sang this book’s praises in his 1983 tome (La riforma liturgica) his unbridled dishonesty makes him come across as a lunatic. The claims made by Bugnini vis-à-vis the GRADUALE SIMPLEX—even its contents—are simply false.

I recently came across a fascinating 12-page document (by Father Herman J. Graf) which describes the GRADUALE SIMPLEX:

*  PDF Download • GRADUALE SIMPLEX—12 pages
—Published in August of 1970 by Father Herman J Graf (Society of the Divine Word).

Our readers will find much in this document utterly engrossing. At the same time, some of the statements are contradictory and—especially with the benefit of hindsight—come across as infected through and through with a Pollyannaish view of “change for the sake of change.”

Pandora’s Box • As far as the radical reformers were concerned, the GRADUALE SIMPLEX had one purpose (and one purpose only). Its promulgation by the CONSILIUM introduced a principle: viz. that the Propria Missae could lawfully be replaced. Once that crevice was opened, it was “game over.” The radical reformers drove an Eighteen-Wheeler through that loophole. It was like Pandora’s box … and the rest was history. Without exaggeration, I can affirm that no change made after Vatican II (with the possible exception of versus populum) did more harm to the authentic renewal of the sacred liturgy than that principle.

The Catholic Church is still reeling from shameful abuse of that ‘principle’ but—as we mentioned in a recent article—the Propria Missae have begun a remarkable and wonderful comeback over the last 20 years, which no one in the 1980s or 1990s could have even hoped for!

Pius XII Psalter • What this author (Father Graf) has to say about the Pius XII Psalter vs. the VULGATA is extremely fascinating information. Apart from this source, I’ve been able find precious little about this subject, although Yves Chiron and Very Rev’d Charles Jerome Callan (noted author, beloved teacher, and founder of the Homiletic and Pastoral Review) also provide valuable insights.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: BEA PSALTER, Graduale Simplex, Pope Pius XII Psalter Last Updated: January 8, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The chapter decides to penalize singers or instrumentalists who are tardy by a few minutes at the same rate as if they had been absent the whole hour.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (2 June 1563 )

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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