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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

August 1970 • “Graduale Simplex Doc” (12 pages)

Jeff Ostrowski · January 5, 2026

HOSE HUMAN BEINGS who remain tethered to reality—and by ‘reality’ I mean the Sacramental life, with constant cognizance of one’s eternal destiny—take pains to avoid sensationalism, tabloid journalism, and people whose entire existence is dedicated to amassing “clicks.” I certainly don’t want to be considered a sensationalist lunatic; and precisely for that reason I usually avoid mentioning the GRADUALE SIMPLEX. If one speaks with honesty about that book, one quickly descends into language that makes one come across as hysterical, unrestrained, and melodramatic.

Speaking Candidly • The fact is, the GRADUALE SIMPLEX was a colossal failure. Similar to polyester vestments and church wreckovations, its sad legacy is bound up with everything irresponsible about the 1960s liturgical reforms. Indeed, when Msgr. Hannibal Bugnini sang this book’s praises in his 1983 tome (La riforma liturgica) his unbridled dishonesty makes him come across as a lunatic. The claims made by Bugnini vis-à-vis the GRADUALE SIMPLEX—even its contents—are simply false.

I recently came across a fascinating 12-page document (by Father Herman J. Graf) which describes the GRADUALE SIMPLEX:

*  PDF Download • GRADUALE SIMPLEX—12 pages
—Published in August of 1970 by Father Herman J Graf (Society of the Divine Word).

Our readers will find much in this document utterly engrossing. At the same time, some of the statements are contradictory and—especially with the benefit of hindsight—come across as infected through and through with a Pollyannaish view of “change for the sake of change.”

Pandora’s Box • As far as the radical reformers were concerned, the GRADUALE SIMPLEX had one purpose (and one purpose only). Its promulgation by the CONSILIUM introduced a principle: viz. that the Propria Missae could lawfully be replaced. Once that crevice was opened, it was “game over.” The radical reformers drove an Eighteen-Wheeler through that loophole. It was like Pandora’s box … and the rest was history. Without exaggeration, I can affirm that no change made after Vatican II (with the possible exception of versus populum) did more harm to the authentic renewal of the sacred liturgy than that principle.

The Catholic Church is still reeling from shameful abuse of that ‘principle’ but—as we mentioned in a recent article—the Propria Missae have begun a remarkable and wonderful comeback over the last 20 years, which no one in the 1980s or 1990s could have even hoped for!

Pius XII Psalter • What this author (Father Graf) has to say about the Pius XII Psalter vs. the VULGATA is extremely fascinating information. Apart from this source, I’ve been able find precious little about this subject, although Yves Chiron and Very Rev’d Charles Jerome Callan (noted author, beloved teacher, and founder of the Homiletic and Pastoral Review) also provide valuable insights.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: BEA PSALTER, Graduale Simplex, Pope Pius XII Psalter Last Updated: January 8, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

These prayers were not peculiar to Good Friday in the early ages (they were said on Spy Wednesday as late as the eighth century); their retention here, it is thought, was inspired by the idea that the Church should pray for all classes of men on the day that Christ died for all. Duchesne is of opinion that the “Oremus” now said in every Mass before the Offertory—which is not a prayer—remains to show where this old series of prayers was once said in all Masses.

— Catholic Encyclopedia (1909)

Recent Posts

  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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