About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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“I still haven’t made up my mind whether I shall publish it all. Some people are so humorless, so uncharitable, and so absurdly wrong-headed, that one would probably do far better to relax and enjoy life than worry oneself to death trying to instruct or entertain a public which will only despise one’s efforts, or at least feel no gratitude for them. Most readers know nothing about canon law. Many regard it with contempt and find everything heavy going that isn’t completely lowbrow. Some are so grimly serious that they disapprove of all humor. Others come to different conclusions every time they stand up or sit down. They seize upon your publications, as a wrestler seizes upon his opponent’s hair, and use them to drag you down, while they themselves remain quite invulnerable, because their barren pates are completely bald, so there’s nothing for you to get hold of.”
— St. Thomas More to Peter Gilles, 1516

It Has Arrived! • “Proper of the Mass” (Ignatius)
published 7 April 2015 by Jeff Ostrowski

944 Weber Propers Missal Gradual VER A PERIOD of weeks, we’ve discussed the current system of replacing assigned Mass texts in the Ordinary Form, which violates liturgical law. 1 Priests wishing to allow their congregations to pray the actual prayers of the Mass have a solution in the Jogues Lectionary, the only pew book containing the full Vatican II propers in Latin & English.

But what about the music?

Many parishes use the Lalemant Propers (very simple); Simple English Propers (fairly simple); or Graduale Parvum (simple). 2 Yet, when it comes to Ordinary Form propers, we need as many options as possible, and a fantastic book appeared today:

    * *  PROPER OF THE MASS — 1,292 page book

I won’t reproduce the descriptions given there, but please notice that Fr. Weber’s book provides multiple settings for each chant. Below are audio samples demonstrating a “simpler” setting and a “complex” setting of the same Entrance chant. If you’re familiar with the ancient Latin version (“Judica Me”) you will notice that Fr. Weber’s version sounds quite similar:

                Simpler Setting:   YouTube   •   Mp3 File

                Complex Setting:   YouTube   •   Mp3 File

I ordered my copy today; when it arrives, I hope to write a comprehensive review of Fr. Weber’s masterpiece.


Lovely images of this book can now be viewed.

Andrew R. Motyka has posted a beautiful review of this book.

HIGHLY RECOMMEND this new English Gradual to anyone who wants to sing the proper antiphons on a regular basis and is looking for very accessible, yet most beautiful chant in the vernacular. We cannot thank Fr. Samuel Weber enough for all his hard work, a true labor of love and dedication to liturgy and the Church. I am most confident that this new Gradual will become a standard work and hopefully find a home in many parishes.

—Dr. Horst Buchholz (Cathedral Basilica of Saint Louis, MO)


1   Daniel Craig’s landmark article presents important documentation from the USCCB which—although it dates from a few years ago—is still pertinent.

2   Even more options, along with audio samples, can be found here.