About this blogger:
Richard J. Clark has served since 1989 as Music Director and Organist at Saint Cecilia Church in Boston, Massachusetts. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. For the Archdiocese of Boston, he directed the Office of Divine Worship Saint Cecilia Schola. His compositions have been performed on four continents.
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"Upon the road, René was always occupied with God. His words and the discourses he held were all expressive of submission to the commands of Divine Providence, and showed a willing acceptance of the death which God was sending him. He gave himself to God as a sacrifice, to be reduced to ashes by the fires of the Iroquois, which that good Father's hand would kindle. He sought the means to bless Him in all things and everywhere. Covered with wounds as he himself was, Goupil dressed the wounds of other persons, of the enemies who had received some blows in the fight as well as those of the prisoners. He opened the vein for a sick Iroquois. And he did it all with as much charity as if he had done it to persons who were his best friends."
— St. Isaac Jogues (writing in 1643)

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“O Sacred Head Surrounded” | Buxtehude
published 3 April 2015 by Richard J. Clark

IETERICH BUXTEHUDE (1637-1707) was a direct influence on Johann Sebastian Bach—and for good reason. His development of themes and compositional symmetry were highly lauded by Bach himself. This choral prelude—a favorite of Marie-Claire Alain—is based on the famous melody by Hans Leo Hassler (1564–1612), which we now recognize as “O Sacred Head Surrounded.” Hassler’s tune has accompanied a few different texts, including the religious text with the title “Herzlich tut mich verlangen” written by Christoph Knoll (1563–1621). Buxtehude’s title here, “Ach Herr, mich armen Sünder” (“Ah Lord, poor sinner that I am”) is from a text which pleads to God for forgiveness and mercy.

As the spirit moves, Buxtehude’s treatment became rather unintentionally one of the greatest meditations on “O Sacred Head Surrounded.” Timeless and simple, exquisite ornamentations reveal tortured, yet divine suffering. Typical of Buxtehude, the theme seamlessly weaves through the various voices, often unnoticed, and in service to the divine.

This was recorded on the 1999 Smith & Gilbert Organ at St. Cecilia Church, Boston.

      * *  Mp3 Download • Dieterich Buxtehude, “Ach Herr, mich armen Sünder” | BuxWV 178