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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

PDF Download • “Hymns Of The Roman Liturgy” (Rev. Joseph Connelly, 1955)

Jeff Ostrowski · April 27, 2015

HOSE INTERESTED in hymns will want to download this extremely famous (yet rare) book by Fr. Joseph Connelly, which we make available online for the first time ever. This is being done as part of the preparation for an exciting Catholic hymnal that’s being created. Connelly’s work includes 154 hymns, chiefly from the Breviary. The hymns are given in Latin, along with English translations and commentary:

* *  PDF Download • Rev. Joseph Connelly HYMNS

This is a good book to have as a reference, although Msgr. Schmitt is correct when he says that Father Matthew Britt’s work 1 is even more valuable.

Msgr. Francis P. Schmitt mentioned Connelly’s work in the Spring of 1964 while talking about the liturgical changes in the wake of the Second Vatican Council:

The New Breviaries :

E CARRY NO REVIEW of the two Englished breviaries, partly because we haven’t received any (and don’t intend to buy any) and partly because some might think, as the publishers must, that such a review would be clean out of our domain. But we might be permitted to say a word about the hymns of the breviary—that other lingering vestige of sung common—and not necessarily monastic prayer. We can say it quickly, since we have seen only reviews and blurb samples. One review, which is also used as a blurb, waxes ecstatic over the fact that the translation used is from Father Connelly’s altogether worthwhile work, Hymns of the Roman Liturgy. The reviewer liked these especially because they were not in hymn form. The unfortunate samples cited in the blurb make less sense in English than the Latin originals would to a North Korean. No slight to Father Connelly’s valuable work (but not as valuable as Britt’s)—he makes it plain in his forward that the translations were added as an afterthought, without much scholarly concern, as a help to those who pressed him for this addition. Little could he have thought then that these addenda would one day become official vernacular “hymns.”

Readers are probably sick of me saying this, but the writings of Msgr. Schmitt are extremely valuable and interesting to church musicians who wish to know what life was like in the early years following the Council. For instance, read what Msgr. Schmitt has to say here.

Taken in 1945, this is the only photograph I have seen of Father Joseph Connelly, courtesy of Vincent James Byrne:

Father Joseph Connelly served as Dean of Music and Professor of Plainchant at St. Mary’s Seminary, New Oscott, Birmingham (1934-1956) according to The Catholic Directory of the Archdiocese of Birmingham.


NOTES FROM THIS ARTICLE:

1   The 1922 masterpiece by Fr. Matthew Britt, OSB, is called Hymns of the Breviary and Missal. It is readily available; just search Google.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: June 19, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“…it would be a very praiseworthy thing and the correction would be so easy to make that one could accommodate the chant by gradual changes; and through this it would not lose its original form, since it is only through the binding together of many notes put under short syllables that they become long without any good purpose when it would be sufficient to give one note only.”

— Zarlino (1558) anticipating the Medicæa

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