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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Nixon, Watergate, & Singing The Mass Propers

Jeff Ostrowski · April 13, 2015

935 John Ehrlichman H. R. Haldeman OR MOST OF MY LIFE, I had no interest in the Watergate scandal, because I thought it was simply about a burglary. Why should I care about a 1970s burglary? Several months ago, I started learning more, and I must confess: I’m hooked. The whole thing is absolutely riveting. However, I can’t go into detail, because the topic is incredibly complicated and involves many characters.

Strong parallels exist between Watergate and our current situation with the Mass propers.

For instance, one of the most fascinating things about Watergate has nothing to do with illegal activity: it’s the disgusting language Nixon uses during the 3,700 hours of secretly recorded conversations. With the Mass propers, it’s not just that we constantly replace the propers in violation of current Church law. The fact is, what we replace the propers with is often offensive (musically & theologically), as Fr. Scalia correctly said.

Watergate was a huge deal at the time; yet, soon afterwards, it became innocuous. With the exception of G. Gordon Liddy, I don’t believe anyone involved served more than 2 years in prison. Liddy had a very successful post-prison life, thanks to his Watergate fame. Ehrlichman, Haldeman, Dean, Nixon, and many others made tons of money writing and speaking about Watergate.

In a similar way, when people first started to violate the General Instruction of the Roman Missal (GIRM), it was a big deal, and required machinations & careful manipulation on the part of some Church officials, I’m sorry to say. Friends of mine who remember those years tried to draw attention to the same violations—so many decades ago!—but their protests fell on deaf ears. At this point, such violations have become innocuous:

So what if the GIRM says the assigned texts can only be replaced by music specifically approved by the local bishop? Who cares? Everybody’s doing it! Why rock the boat?

I doubt that 95% of priests today even realize these violations occur in each Mass.

A major concern during the Watergate years had to do with the notion of justice. The President is the Chief Executive, and it seemed wrong for him to “get away” with breaking the law, while others are obliged to follow it. (The same thing bears on Spiro Agnew’s plea bargain.) Similarly, I cannot understand how some are happy to speak endlessly about “being faithful” to the teachings of the Second Vatican Council yet disregard important sections of the GIRM. If we can disregard section 48 of the GIRM, why not section 49? Why not 50? Why not 51? And so forth.

Speaking of inconsistencies, just look at the current treatment of the Responsorial Psalm! According to current legislation, the Responsorial Psalm can be replaced at any time by any other psalm, so long as it’s from an “approved” collection. 1 Yet, 97% of churches choose the ASSIGNED Responsorial Psalm; they do not replace it. In fact, replacing it never occurs to them! Yet, when it comes to the ancient propers of the Mass—whose usage Vatican II wanted to encourage and make accessible—these are almost always replaced, and often in violation of Church law.

Events surrounding Watergate never cease to captivate me. I was shocked to learn that, in the immediate aftermath of the shooting of Governor George Wallace, Nixon discussed the possibility of planting George McGovern items in the shooter’s house so people would think Wallace’s shooter was a supporter of McGovern. 2 Similarly, I continue to be amazed by little tidbits I come across, showing how the Mass propers were undermined by various parties, especially the big publishing companies.

One more parallel, before I call it a day. A major concern in Watergate was how Nixon’s people were bribing people to commit perjury. President Clinton also committed perjury, admitting the truth only after incontrovertible physical evidence was produced. Although I didn’t follow the Clinton trial—I was a young boy at that time—I remember hearing over and over again, “Who cares if the Chief Executive branch committed perjury? Nobody got hurt.” Such sentiments ultimately carried the day. However, a new generation of political analysts is currently reëvaluating the “nobody got hurt” angle in light of filmed testimony by members of the Arkansas State Police, Jones, Broaddrick, Willey, and a whole host of others.

Similarly, a new generation of priests is starting to reëvaluate what the GIRM says about the Mass propers. They are starting to reëxamine what Vatican II was aiming at. They are becoming aware of monumental books of the propers in English such as what Fr. Samuel Weber has created. How long will we continue to violate the clear requirements of the GIRM?

By the way, I just realized that Watergate was happening around the same time the Novus Ordo Missal was being introduced!



NOTES FROM THIS ARTICLE:

1   Even metrical settings are allowed!

2   Needless to say, Nixon was not the only politician to ever do wrong! In fact, much of what Nixon did pales in comparison to what we’re beginning to learn about presidents like JFK and FDR.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Victoria not only made his professional debut as church organist: he also continued active on the organ bench until the very eve of his death. Indeed, during his last seven years at Madrid (1604-1611) he occupied no other musical post but that of convent organist.”

— Dr. Robert Stevenson (1961)

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