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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Nixon, Watergate, & Singing The Mass Propers

Jeff Ostrowski · April 13, 2015

935 John Ehrlichman H. R. Haldeman OR MOST OF MY LIFE, I had no interest in the Watergate scandal, because I thought it was simply about a burglary. Why should I care about a 1970s burglary? Several months ago, I started learning more, and I must confess: I’m hooked. The whole thing is absolutely riveting. However, I can’t go into detail, because the topic is incredibly complicated and involves many characters.

Strong parallels exist between Watergate and our current situation with the Mass propers.

For instance, one of the most fascinating things about Watergate has nothing to do with illegal activity: it’s the disgusting language Nixon uses during the 3,700 hours of secretly recorded conversations. With the Mass propers, it’s not just that we constantly replace the propers in violation of current Church law. The fact is, what we replace the propers with is often offensive (musically & theologically), as Fr. Scalia correctly said.

Watergate was a huge deal at the time; yet, soon afterwards, it became innocuous. With the exception of G. Gordon Liddy, I don’t believe anyone involved served more than 2 years in prison. Liddy had a very successful post-prison life, thanks to his Watergate fame. Ehrlichman, Haldeman, Dean, Nixon, and many others made tons of money writing and speaking about Watergate.

In a similar way, when people first started to violate the General Instruction of the Roman Missal (GIRM), it was a big deal, and required machinations & careful manipulation on the part of some Church officials, I’m sorry to say. Friends of mine who remember those years tried to draw attention to the same violations—so many decades ago!—but their protests fell on deaf ears. At this point, such violations have become innocuous:

So what if the GIRM says the assigned texts can only be replaced by music specifically approved by the local bishop? Who cares? Everybody’s doing it! Why rock the boat?

I doubt that 95% of priests today even realize these violations occur in each Mass.

A major concern during the Watergate years had to do with the notion of justice. The President is the Chief Executive, and it seemed wrong for him to “get away” with breaking the law, while others are obliged to follow it. (The same thing bears on Spiro Agnew’s plea bargain.) Similarly, I cannot understand how some are happy to speak endlessly about “being faithful” to the teachings of the Second Vatican Council yet disregard important sections of the GIRM. If we can disregard section 48 of the GIRM, why not section 49? Why not 50? Why not 51? And so forth.

Speaking of inconsistencies, just look at the current treatment of the Responsorial Psalm! According to current legislation, the Responsorial Psalm can be replaced at any time by any other psalm, so long as it’s from an “approved” collection. 1 Yet, 97% of churches choose the ASSIGNED Responsorial Psalm; they do not replace it. In fact, replacing it never occurs to them! Yet, when it comes to the ancient propers of the Mass—whose usage Vatican II wanted to encourage and make accessible—these are almost always replaced, and often in violation of Church law.

Events surrounding Watergate never cease to captivate me. I was shocked to learn that, in the immediate aftermath of the shooting of Governor George Wallace, Nixon discussed the possibility of planting George McGovern items in the shooter’s house so people would think Wallace’s shooter was a supporter of McGovern. 2 Similarly, I continue to be amazed by little tidbits I come across, showing how the Mass propers were undermined by various parties, especially the big publishing companies.

One more parallel, before I call it a day. A major concern in Watergate was how Nixon’s people were bribing people to commit perjury. President Clinton also committed perjury, admitting the truth only after incontrovertible physical evidence was produced. Although I didn’t follow the Clinton trial—I was a young boy at that time—I remember hearing over and over again, “Who cares if the Chief Executive branch committed perjury? Nobody got hurt.” Such sentiments ultimately carried the day. However, a new generation of political analysts is currently reëvaluating the “nobody got hurt” angle in light of filmed testimony by members of the Arkansas State Police, Jones, Broaddrick, Willey, and a whole host of others.

Similarly, a new generation of priests is starting to reëvaluate what the GIRM says about the Mass propers. They are starting to reëxamine what Vatican II was aiming at. They are becoming aware of monumental books of the propers in English such as what Fr. Samuel Weber has created. How long will we continue to violate the clear requirements of the GIRM?

By the way, I just realized that Watergate was happening around the same time the Novus Ordo Missal was being introduced!



NOTES FROM THIS ARTICLE:

1   Even metrical settings are allowed!

2   Needless to say, Nixon was not the only politician to ever do wrong! In fact, much of what Nixon did pales in comparison to what we’re beginning to learn about presidents like JFK and FDR.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Just before he left Letchworth, as he well knew to meet his death, he turned and bade good-bye to his little church, and silently kissed the altar-stone on which he had so frequently offered Mass.”

— From the life of Father Adrian Fortescue

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  • “Dies Irae” • A Monstrous Translation

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