About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he lives with his wife and two children.
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A lot of the favoured new settings are musically illiterate, almost is if they were written by semi-trained teenagers, getting to grips with musical rudiments. The style is stodgy and sentimental, tonally and rhythmically stilted, melodically inane and adored by Catholic clergy “of a certain age.” Some Catholic dioceses run courses for wannabe composers to perpetuate this style. It is a scandal. People with hardly any training and experience of even the basic building blocks of music have been convinced that there is a place for their puerile stumblings and fumblings in the modern Catholic Church because real musicians are elitist and off-putting.
— James MacMillan (20 November 2013)

PDF Download: Mediator Dei Hymnal (1955)
published 2 September 2014 by Jeff Ostrowski

898 Mediator Dei Hymn Book Cyr de Brant HE MEDIATOR DEI HYMNAL was published in 1955, eight years after Pius XII promulgated his encyclical on the liturgy and three years before the death of Pius XII. It was the work of J. Vincent Higginson, who published it under the pseudonym CYR DE BRANT:

      * *  PDF: Mediator Dei Hymnal (1955)

Higginson had the reputation of being a “walking encyclopedia” of American hymnology, and served on the board of directors of the Society of St. Gregory. To see a photograph of Cyr de Brant, look at #1 here.

Over the next few months, we will release many more rare hymnals, in preparation for the release of the forthcoming Jogues Hymnal. We need everyone’s help in choosing the ABSOLUTE BEST Catholic hymns. More info regarding this exciting project will be released soon, and the Missal is already available!

MR. HIGGINSON DESERVES A GREAT DEAL of credit for his Mediator Dei Hymnal. It’s one of the first Catholic hymnals to include tune names, which are very important. He also chose only dignified, solid, respectable hymns—no easy task! His ingenuity is admirable, and he sometimes employed variations of excellent tunes (such as what he calls Paschal Lamb, Ave Virgo, and Victorious King) to make the melody fit the text he desired.

Finally, I’m amazed at how similar his choices are to the contents of the Pope Francis Hymn Book. After all, choosing hymns can be incredibly divisive … and sometimes brings musicians close to exchanging blows. That’s why it’s refreshing & rare to find someone whose choices are so similar!