About this blogger:
Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.
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Dale uses an Italian name on every possible occasion… […] In Dale, you do not bow to the celebrant, you “proceed to make the customary salutation”; you do not stand, you “retain a standing posture.” Everyone “observes” to do everything: you observe not to kneel, you observe to retain a kneeling posture. The MC does not tell a man to do a thing, he apprizes him that it should he performed. The celebrant “terminates” the creed; he genuflects in conjunction with the sacred ministers—then he observes to assume a standing posture in conjunction with them. The MC goes about apprizing and comporting himself till he observes to perform the customary salutation. The subdeacon imparts the Pax in the same manner as it was communicated to him. Everyone exhibits a grave deportment; Imagine anyone talking like this. Imagine anyone saying that you ought to exhibit a deportment.
— Fr Adrian Fortescue

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Many Questions | Pope Saint John Paul II’s Letter to Artists (Part 2)
published 19 September 2014 by Richard J. Clark

AST WEEK, POPE SAINT John Paul II’s Letter to Artists was discussed. As art expresses truth in its beauty, Saint John Paul asserted that the Church needs art.

      * *   Letter of His Holiness Pope John Paul II to Artists • 1999

VERY KIND READER sent me this beautiful three-minute video on Pope John Paul II’s “Letter to Artists”. The information accompanying the video indicates:

A tribute to John Paul II’s “Letter to Artists”, as read by students at John Paul the Great Catholic University. This video was posted in April 2014, to commemorate his canonization to sainthood, and as a gift to Christian artists throughout the world.

THIS VIDEO ACTS AS A WONDERFUL MEDITATION on the role art plays in prayer and in our relationship with God. As such, Saint John Paul’s letter opens the door to a number of questions. Here are just a few to begin a broader discussion:

1 • What role does art play in our interior and exterior prayer life?
2 • Therefore, What implications does beauty and art have for the liturgy?
3 • E.g., What roles do music, architecture, and vestments play in our prayer?
4 • Do art and beauty require intricacy and complexity?
5 • What implication does the subjective nature of judging beauty, and therefore the experience of art, have on corporate prayer?
6 • Saint John Paul stated in this letter: “The ‘beautiful’ was thus wedded to the “true”, so that through art too souls might be lifted up from the world of the senses to the eternal.” (§7) As truth is objective, is there a standard for what is beautiful?

“In order to communicate the message entrusted to her by Christ, the Church needs art. (§12)— Pope Saint John Paul II

Pray always and be unceasingly inspired! Sacred Art in service to God and his people is a great calling—one that is encouraged by a great saint.