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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Weak-Kneed Prayers or Religious Patrimony?

Guest Author · September 17, 2014

0319_DO-LG N GOING THROUGH some old books that had been discarded by a Catholic school library, I found a book from 1982 on planning Masses with children. Filled with various articles about liturgical planning involving children, I chuckled at the drawings and skimmed through the text. One article on prayer (itself written and published in 1981) caught my attention. The author questions her readers:

“What will the next generation of students say about their school prayers? Will they rise up 20 years from now to criticize us for giving them a diet of weak-kneed prayers, full of trendy jargon and self-conscious posturing? Or will they complain that they have learned nothing by heart because we never used the same prayer twice? Or will they thank us for introducing them gradually to the strong and surprising words of praise that are a part of our religious patrimony?”

I could not help but think of my own grade-school years when all of us learned our prayers by heart (the Our Father, the Hail Mary, the Glory Be, the Apostles’ Creed, and the Acts of Faith, Hope, and Charity, among others) and had to practice them and recite them from memory to our teachers. This was certainly not the case across the country or the world.

Even today, in 2014, in one diocese in the United States, in a survey of 11th grade Catholic school students, only 28.1% stated that they always pray with their family before meals (48.6% stated always or often). In the same survey, 54.1% of 11th graders said they never pray the Rosary alone or with family at home.

The author of the article I found in that discarded book wondered what students would say about their school prayers 20 years in the future. It’s been 33 years since she asked those questions and I haven’t heard young adults thanking their elders for “introducing them gradually to the strong and surprising words of praise that are a part of our religious patrimony” (which, by the way, is not a bad thing: our religious patrimony should be passed down to each generation). Instead, one can see with groups such as the Juventutem International Federation, college councils of the Knights of Columbus, and various Newman Center campus organizations/parishes a return to authentic religious patrimony—a patrimony that was, sadly, not passed down.

Do we criticize the older generation for the “diet of weak-kneed prayers, full of trendy jargon and self-conscious posturing?” Do we complain that nothing has been learned by heart because no prayer was used more than twice? It’s been 33 years: the blame game has been played and doesn’t need to be played again. Rather, let’s focus on returning to our authentic religious patrimony so the next generation can thank us for that.


We hope you enjoyed this guest post by Fr. Alan M. Guanella.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Liturgy For Children Last Updated: January 1, 2020

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President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Pope Gelasius in his 9th Letter to the Bishops of Lucania condemned the evil practice which had been introduced of women serving the priest at the celebration of Mass. Since this abuse had spread to the Greeks, Innocent IV strictly forbade it in his letter to the Bishop of Tusculum: “Women should not dare to serve at the altar; they should be altogether refused this ministry.” We too have forbidden this practice in the same words in Our oft-repeated constitution “Etsi Pastoralis” (§6, #21)

— Pope Benedict XIV • Encyclical “Allatae Sunt” (26 July 1755)

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