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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Barack Obama & Catholic Sacred Music

Jeff Ostrowski · September 1, 2014

907 Nos Autem HE UNITED STATES has three coequal branches of government—Legislative, Executive, and Judicial—which prevent tyranny by means of checks and balances.

Similarly, the postconciliar liturgy has three “coequal” books: (1) Lectionary; (2) Gradual; and (3) Sacramentary. 1 Therefore, it’s necessary to know WHICH BOOK contains WHICH PART of the Mass. Suppose someone exclaimed: “I’ve looked carefully but cannot locate any Supreme Court rulings by Barack Obama.” The correct answer would be: “You won’t find any. You’ve mixed up the branches of government.” Likewise, someone might say: “Having looked carefully, I can’t find any Eucharistic Prayers in the Lectionary.” Again, the correct answer would be, “You’re looking in the wrong book.” 2

EARLIER THIS MONTH, OCP PUBLICATIONS made an announcement both thrilling and troubling. The exciting part is that OCP will publish, before the end of 2014, more than 400 musical settings for Proper antiphons. But here’s the troubling part:

The OCP editions will be available by the end of the year. The original intent of OCP was to create an English Gradual, but ultimately they chose not to include the Offertory Antiphons since they do not exist in the current Missal.   [source]

The statement by OCP is bizarre. It’s like saying: “We’d planned to include the Prefaces but didn’t, because they do not exist in the current Lectionary.”

The fact is, the Prefaces are not found in the Lectionary. Similarly, the Offertory antiphons are not found in the current Missal: they’re found in the Roman Gradual. While it’s true that some Entrance & Communion antiphons are found in the Missal, those are intended for use in Masses without music. If you don’t understand, read this article. (If you don’t have time to read it, just glance at the amusing image!) When questioned further, the same person added:

I can tell you that this project has been a learning process for all involved. […] The concept and understanding of the Gradual was new to many of the OCP editors.

I admit this subject can cause confusion. For instance, here are eleven different collections of the Propers in English, and each is slightly different:

      * *  Eleven Electrifying Collections — Mass Propers in English

Anyone trying to make sense of the Ordinary Form Propers should obtain the Jogues Missal, which presents each Proper in a beautiful & clear way. Moreover, the formatting of every single page is absolutely unique:

905 Jogues IMAGE



NOTES FROM THIS ARTICLE:

1   The Sacramentary is often called a “Missal,” but that’s not an accurate term.

2   I wish somebody had explained this to me in 2005, when I began working for the Ordinary Form. The Extraordinary Form has just one book—the priest’s red Altar Missal—containing all texts necessary for the celebration of Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That is the university Fulton J. Sheen went to, as well as Dr. Myrna Keough.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed

Random Quote

In 1951 (and again in 1952 and 1955) the Sacred Congregation of Rites gave permission to the bishops of the whole world to celebrate the “Vigil of the Lord’s Resurrection” as much as possible in conformity with the ancient ceremonial: the most noticeable change was to transfer the ceremonies to the late evening of Holy Saturday. During the experimental period the text of the Missal remains unchanged, and a special “Ordo Sancti Sabbati” has been published.

— Charles Richard Anthony Cunliffe (1955)

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  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”

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