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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Advent Meditation

Dr. Peter Kwasniewski · November 27, 2014

N A FEW DAYS, we begin Advent. I would imagine that you, dear reader, like me, are not as ready to enter this season as one might ideally like to be. We are, as usual, preoccupied with a lot of everyday concerns, some of them quite trivial and others momentous. We are (perhaps all too willingly) subject to the hegemony of secular time, of work time, recreation time, the shifting back and forth between labor and rest that is characteristic of fallen man. The liturgy is quietly calling us out of ourselves, out of our time and place, into a different story—a story that is actually more our own than the one that our society, our culture, weaves around us.

This, I think, is what Benedict XVI was getting at some years ago when he preached, at Vespers for the First Sunday of Advent:

We all have the experience, in our daily life, of having little time for the Lord and little time even for ourselves. One winds up absorbed by ‘doing’. Isn’t it perhaps true that often it is exactly activity that possesses us, society with its multiple interests that monopolizes our attention? Isn’t it perhaps true that one dedicates lots of time to diversions and amusements of different kinds? … Advent invites us to stand in silence in order to understand a presence. … How often God causes us to perceive something of His love!

“Advent invites us to stand in silence in order to understand a presence.” How true! The presence of the Lord in any Catholic Church: think of it! There He is, in the tabernacle, in the most Blessed Sacrament, He is really, truly, substantially present. He is present, but we are not present; as Augustine says, He is within, but I am without. O sweet and sacred silence—how much we need you! What a boon you confer upon us! You take our agitated and fragmented self, and gently invite it back to unity, simplicity, peace. The Prince of Peace: He is present, ready to be understood by those who allow themselves to be overtaken by silence.

AINT JOSEPH MIGHT BE CONSIDERED our particular patron in this Advent summons to silence. In his Angelus address on December 18, 2005, Pope Benedict XVI said this about Joseph:

His silence is permeated with the contemplation of the mystery of God, in an attitude of total availability to the divine will. In other words, the silence of St. Joseph does not demonstrate an empty interior, but rather the fullness of faith that he carries in his heart, and that guides each of his thoughts and actions. A silence through which Joseph, together with Mary, guard the Word of God, known through sacred Scripture, comparing it continually to the events of the life of Jesus; a silence interwoven with constant prayer, a prayer of blessing of the Lord, of adoration of his holy will and of boundless confidence in his providence. It is not exaggerated to say that Jesus will learn—on a human level—precisely from “father” Joseph this intense interior life, which is the condition of authentic righteousness, the “interior righteousness,” which one day he will teach to his disciples (cf. Matthew 5:20). Let’s allow ourselves to be “infected” by the silence of St. Joseph! It is so lacking in this world which is often too noisy, which is not favorable to recollection and listening to the voice of God. In this time of preparation for Christmas, let us cultivate interior recollection so as to receive and keep Jesus in our lives.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Père Joseph Gelineau represented everything that had gone wrong with the Church since the new liturgists had gained control.”

— Jean Langlais

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