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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Advent Meditation

Dr. Peter Kwasniewski · November 27, 2014

N A FEW DAYS, we begin Advent. I would imagine that you, dear reader, like me, are not as ready to enter this season as one might ideally like to be. We are, as usual, preoccupied with a lot of everyday concerns, some of them quite trivial and others momentous. We are (perhaps all too willingly) subject to the hegemony of secular time, of work time, recreation time, the shifting back and forth between labor and rest that is characteristic of fallen man. The liturgy is quietly calling us out of ourselves, out of our time and place, into a different story—a story that is actually more our own than the one that our society, our culture, weaves around us.

This, I think, is what Benedict XVI was getting at some years ago when he preached, at Vespers for the First Sunday of Advent:

We all have the experience, in our daily life, of having little time for the Lord and little time even for ourselves. One winds up absorbed by ‘doing’. Isn’t it perhaps true that often it is exactly activity that possesses us, society with its multiple interests that monopolizes our attention? Isn’t it perhaps true that one dedicates lots of time to diversions and amusements of different kinds? … Advent invites us to stand in silence in order to understand a presence. … How often God causes us to perceive something of His love!

“Advent invites us to stand in silence in order to understand a presence.” How true! The presence of the Lord in any Catholic Church: think of it! There He is, in the tabernacle, in the most Blessed Sacrament, He is really, truly, substantially present. He is present, but we are not present; as Augustine says, He is within, but I am without. O sweet and sacred silence—how much we need you! What a boon you confer upon us! You take our agitated and fragmented self, and gently invite it back to unity, simplicity, peace. The Prince of Peace: He is present, ready to be understood by those who allow themselves to be overtaken by silence.

AINT JOSEPH MIGHT BE CONSIDERED our particular patron in this Advent summons to silence. In his Angelus address on December 18, 2005, Pope Benedict XVI said this about Joseph:

His silence is permeated with the contemplation of the mystery of God, in an attitude of total availability to the divine will. In other words, the silence of St. Joseph does not demonstrate an empty interior, but rather the fullness of faith that he carries in his heart, and that guides each of his thoughts and actions. A silence through which Joseph, together with Mary, guard the Word of God, known through sacred Scripture, comparing it continually to the events of the life of Jesus; a silence interwoven with constant prayer, a prayer of blessing of the Lord, of adoration of his holy will and of boundless confidence in his providence. It is not exaggerated to say that Jesus will learn—on a human level—precisely from “father” Joseph this intense interior life, which is the condition of authentic righteousness, the “interior righteousness,” which one day he will teach to his disciples (cf. Matthew 5:20). Let’s allow ourselves to be “infected” by the silence of St. Joseph! It is so lacking in this world which is often too noisy, which is not favorable to recollection and listening to the voice of God. In this time of preparation for Christmas, let us cultivate interior recollection so as to receive and keep Jesus in our lives.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

On 26 July 1916—during the German occupation of Belgium—a student choir led by Van Nuffel performed his setting of the psalm “Super flumina Babylonis” in Saint Rumbold’s Cathedral. The text and the musical setting very aptly expressed the depressed and rebellious mood of the population. The acclaim was enormous, and it laid the foundation for Van Nuffel’s formation of the Saint Rumbold’s choir.

— Unknown

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  • Important Quote by a Church Musician

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