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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download: Ordo Lectionum Missae & Ordo Cantus Missae

Jeff Ostrowski · May 5, 2014

531 Pope Paul VI HE SECOND VATICAN COUNCIL did not reform the liturgy. The fathers merely formulated principles for reform. 1 The actual task of changing the liturgy was left to Pope Paul VI.

Would you like to see the authentic books which gave us the Lectionary and Gradual of Vatican II? These are extremely rare, but you can download them here:

* *  Ordo Lectionum Missae (orig 1969)

* *  Ordo Cantus Missæ (orig 1970)

The Lectionary & Gradual are presented as never before in an exciting new congregational book that begins shipping 14 May 2014.

THE RESULTS of the Ordo Lectionum Missae are in the 1975 Lectionary. The results of the Ordo Cantus Missae are in the 1974 Graduale Romanum. Translations of the OCM’s Introduction are easily found, but English translations of the OCM are not, so we uploaded three versions.

The following video explains the significance of the Jogues Illuminated Missal:

IS IT NOT PECULIAR that the Jogues Missal is the first to highlight the Gradual as Vatican II intended? Yes, but remember that many “odd” things happened after the Council. Listen to the words of Cardinal Stickler, a peritus at the Second Vatican Council, who talks about the vernacular’s introduction into the liturgy (which formerly had been entirely in Latin):

“I still remember very well how after several radical proposals a Sicilian bishop rose and implored the fathers to allow caution and reason to reign on this point, because otherwise there would be the danger that the entire Mass might be held in the language of the people—whereupon the entire hall burst into uproarious laughter.”

As Fr. Georg May (renowned Canonist) has reminded us, when Vatican II decreed that Latin be preserved in the liturgy, the document employed the subjunctive verb (“servetur”) clearly expressing a command, not merely a recommendation.

Speaking of Latin, the OLM shows that errors sometimes exist in the official books (as Fr. Felix Just has documented), and not just the English versions. For example:

2nd Sunday of Ordinary Time
Ecce vénio, Dómine, ut fáciam voluntátem tuam.

March 25th (Annunciation)
Ecce vénio, Dómine, fácere voluntátem tuam.

Both are technically correct (although experts would most likely prefer the first) but there shouldn’t be two versions of the exact same antiphon.

AN ARTICLE PUBLISHED in 2007 by a leader of the “progressive” liturgical camp claimed that the ORDO CANTUS MISSAE only applies to Masses said entirely in Latin. Such an argument cannot be maintained. For one thing, there’s no such thing as a Mass said “entirely in Latin.” At a minimum, there will be a mixture of languages: Greek for the KYRIE, Hebrew for ALLELUIA/AMEN, and so forth. Whether we like it or not, the Council mandated that Latin be maintained in the liturgy, and Gregorian chant be given first place in liturgical ceremonies.

 


NOTES FROM THIS ARTICLE:

1   It’s not wrong to say “Vatican II Lectionary” or “Vatican II Liturgy” because it would be cumbersome and confusing to constantly say “the reformed liturgy that was called for by the Second Vatican Council, but whose actual creation took place under Pope Paul VI.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Graduale Romanum Roman Gradual Propers, Novus Ordo Lectionary, Ordo Cantus Missae Last Updated: October 12, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest.
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

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