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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download: Ordo Lectionum Missae & Ordo Cantus Missae

Jeff Ostrowski · May 5, 2014

531 Pope Paul VI HE SECOND VATICAN COUNCIL did not reform the liturgy. The fathers merely formulated principles for reform. 1 The actual task of changing the liturgy was left to Pope Paul VI.

Would you like to see the authentic books which gave us the Lectionary and Gradual of Vatican II? These are extremely rare, but you can download them here:

* *  Ordo Lectionum Missae (orig 1969)

* *  Ordo Cantus Missæ (orig 1970)

The Lectionary & Gradual are presented as never before in an exciting new congregational book that begins shipping 14 May 2014.

THE RESULTS of the Ordo Lectionum Missae are in the 1975 Lectionary. The results of the Ordo Cantus Missae are in the 1974 Graduale Romanum. Translations of the OCM’s Introduction are easily found, but English translations of the OCM are not, so we uploaded three versions.

The following video explains the significance of the Jogues Illuminated Missal:

IS IT NOT PECULIAR that the Jogues Missal is the first to highlight the Gradual as Vatican II intended? Yes, but remember that many “odd” things happened after the Council. Listen to the words of Cardinal Stickler, a peritus at the Second Vatican Council, who talks about the vernacular’s introduction into the liturgy (which formerly had been entirely in Latin):

“I still remember very well how after several radical proposals a Sicilian bishop rose and implored the fathers to allow caution and reason to reign on this point, because otherwise there would be the danger that the entire Mass might be held in the language of the people—whereupon the entire hall burst into uproarious laughter.”

As Fr. Georg May (renowned Canonist) has reminded us, when Vatican II decreed that Latin be preserved in the liturgy, the document employed the subjunctive verb (“servetur”) clearly expressing a command, not merely a recommendation.

Speaking of Latin, the OLM shows that errors sometimes exist in the official books (as Fr. Felix Just has documented), and not just the English versions. For example:

2nd Sunday of Ordinary Time
Ecce vénio, Dómine, ut fáciam voluntátem tuam.

March 25th (Annunciation)
Ecce vénio, Dómine, fácere voluntátem tuam.

Both are technically correct (although experts would most likely prefer the first) but there shouldn’t be two versions of the exact same antiphon.

AN ARTICLE PUBLISHED in 2007 by a leader of the “progressive” liturgical camp claimed that the ORDO CANTUS MISSAE only applies to Masses said entirely in Latin. Such an argument cannot be maintained. For one thing, there’s no such thing as a Mass said “entirely in Latin.” At a minimum, there will be a mixture of languages: Greek for the KYRIE, Hebrew for ALLELUIA/AMEN, and so forth. Whether we like it or not, the Council mandated that Latin be maintained in the liturgy, and Gregorian chant be given first place in liturgical ceremonies.

 


NOTES FROM THIS ARTICLE:

1   It’s not wrong to say “Vatican II Lectionary” or “Vatican II Liturgy” because it would be cumbersome and confusing to constantly say “the reformed liturgy that was called for by the Second Vatican Council, but whose actual creation took place under Pope Paul VI.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Graduale Romanum Roman Gradual Propers, Novus Ordo Lectionary, Ordo Cantus Missae Last Updated: October 12, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”

— Archbishop Marcel Lefebvre (1965) praising vernacular readings at Mass

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