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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Hymnal of St Pius X

Veronica Brandt · March 15, 2014

Hymnal of St Pius X Dr Percy Jones’ Hymnal of St Pius X. LD AUSTRALIAN HYMNBOOKS are rather hard to find. I’m in awe of how many cheap old hymnbooks are available in America. We don’t seem to have the same volume of print runs here. I wrote a little while ago about the Living Parish Hymnbook from the 1960s, but today I have an earlier book in a similar vein.

Dr Percy Jones, choirmaster of St Patrick’s Cathedral in Melbourne, put together this hymnbook back in 1952. To quote from the foreword:

This Hymnal has been compiled and edited to make it possible to carry out the expressed wishes of the Church that congregational singing should be a constant ‘living proof of the Faith,’ whether in large cities or in small villages. In the first section, containing the Gregorian Chant for sung Masses, Benediction and other occasions, an attempt has been made to solve the difficulty of reading the notation peculiar to the Chant. By retaining the Chant notation (with modifications which clarify certain obscure groupings) but using the modern staff and key signature, the Editor hopes that the advantages of both will encourage singers and choir directors to undertake Gregorian Chant.

Above is an example of Dr Jones’ hybrid chant notation. Groups of ascending notes, like the podatus, are spread out horizontally to remove any doubt as to which note is sung first. The porrectus is changed into something like an inverted torculus. I do not have a copy of this book aimed at the congregation, but it is available at the National Library of Australia in screen resolution colour.

I bought a copy of the organ book in a thrift shop some years ago. I recognised the music from photocopies from around our piano at home. Then I found a worthy cause to donate it to, but scanned it first. It was one of my first attempts at scanning a book. In frustration I left the files to languish on a hard drive. Today I was moving files over into a new computer and had another look. They are still better for printing than those of the National Library of Australia, so I finished the job and now you can have a copy too:

      * *  Download the organ edition here.

Page 120 (hymn number 43, page 106 by the printed page numbers, ) has a hymn to St Patrick suitable for singing outside the Emerald Isle:

Patrick! from your kindling
      Lit on Slane’s green hill,
Faith’s pure fire undwindling,
      Burns, all deathless, still.
Drear days could not hinder
      Warm expanse of flame:
Travail gave new tinder,
      New flint, penal shame.

Patrick! from this firing
      Faith’s brave banners unfurled,
Borne by priests desiring,
      For Christ’s sake, the world;
Hearts throbbed to their warming,
      Hope glowed where they trod,
Exiles’ loss transforming,
      To great gain for God.

Patrick! from this glowing,
      Faith’s flame mounts and towers,
Knowledge full bestowing,
      Eire’s feast is ours!
Hear us then rejoicing,
      Rising young and strong:
Gratefully glad-voicing
      Prayerful praise in song.

(Australia’s Salute to St Patrick by George D. Walton)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymnbooks Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“How on earth in the [post-conciliar] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] Although the texts were beautiful they were still lacking in the sense of sin and the sense of mercy. But we need this! And when my final hour comes, ask for mercy for me from the Lord, because I have such need of it!”

— Pope Saint Paul VI (3 June 1971)

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