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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Father Bugnini has only one interest: press ahead and finish.” — Cardinal Antonelli, 1967

Jeff Ostrowski · March 10, 2014

744 Cardinal Antonelli VERYONE SHOULD OWN a copy of The Development of the Liturgical Reform: As Seen by Cardinal Ferdinando Antonelli from 1948 to 1970, by Nicola Giampietro. Cardinal Antonelli served as peritus (“expert”) during the Second Vatican Council. In 1965, he was appointed Secretary of the Congregation for Divine Worship and the Discipline of the Sacraments. He is generally regarded as one of the most reliable witnesses of the Council proceedings. Cardinal Antonelli was appointed as “Secretary of the Conciliar Commission on the Liturgy” on 4 October 1962.

The following paragraphs were written by Cardinal Antonelli about Bugnini’s Consilium on 23 April 1967:

1.)  There is no denying that colossal work has been done.

2.)  There is a lack, however, of that kind of organization which favors mature judgment. Move on, move on, get it out. Schemata are multiplied without ever arriving at a considered form.

3.)  The system of discussion is bad:

a. There are 50 Fathers: sometimes they do not all come, but there are always at least 30. Few have any specific competence. In itself, it would be difficult to conduct a discussion involving so many people;

b. Often the schemata arrive just before the discussions. Sometimes, and in important matters, such as the new anaphoras, the schema was distributed the evening before the discussion was to take place;

c. Cardinal Lercaro is not the man to direct a discussion. Father Bugnini has only one interest: press ahead and finish.

4.)  The voting system is worse. It is ordinarily done by a show of hands, but nobody counts who has raised a hand and who has not. Nobody says “so many approved” and “so many said no.” It is disgraceful. Although the question has been asked several times, nobody has succeeded in ascertaining whether the necessary majority must be absolute or two thirds of the votes. Voting by scheda only takes place at the request of the Fathers. The scheda are subsequently examined by those from the Secretariat.

5.)  A further grave lacuna is the absence of any minutes of the meetings. There certainly has been no reference to them and they certainly have never been read.

Cardinal Antonelli’s written comments (19 April 1967)

It is clear that Paul VI closely followed the work of this Consilium. I well remember that Paul VI personally intervened at one of the meetings of this Consilium (that of April 19, 1967). The fact struck me that Paul VI, speaking of the course taken by the implementation of the liturgical reform, declared that he had been hurt by certain arbitrary liturgical experiments and pained by a certain tendency to de-sacralize the liturgy. He re-confirmed his confidence in the Consilium, however. The Pope did not seem to realize that all the difficulties had been created by the manner in which the reform was interpreted by the Consilium.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cardinal Ferdinando Giuseppe Antonelli OFM Last Updated: October 19, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“In chronological order, [Dom Pierre Combe] traces the Gregorian reform from its beginnings under Dom Guéranger in 1833, to the problems of the Vatican Commission on Sacred Music in the first decade of the 20th century. As one reads the topic headings and development of their content, one wonders how such an innocent and un-warlike subject such as Gregorian chant could have been the focal point of such an intense and continuing battle among scholars and churchmen for so many decades.”

— Dr. Theodore Marier (1968)

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