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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Homily: 17th Sunday in Ordinary Time (Year A)

Guest Author · July 27, 2014

0319_17_OT_A-MED T COULD BE INTERESTING if we asked people their opinion as to what Jesus meant when he said the kingdom of heaven was like a treasure buried in a field that someone finds. He first hides the treasure so that no one else will find it, and then sells all he has to be able to buy the field and then buys it. Certainly this man was determined to get that field. And the same idea is there in regard to the pearl of great price. Now I have always just taken for granted that Jesus was trying to impress on us the importance of acquiring the kingdom of heaven or simply going to heaven after I die. But the thought struck me maybe this idea not necessarily so clear to everyone who hears or reads this parable. I guess the only or more likely way that I would ever find out would be if I were conducting some kind of a bible class and we were discussing this part of the bible. However, I do think that applying this idea to our working for heaven and the importance we should give to it, certainly fits in with the idea.

THE THIRD PARABLE of the catch of fish is perhaps a little different. Here Jesus brings up an idea that maybe is not too popular even in some of our Catholic Churches nowadays. If I were to ask the question, whom do those fish that are discarded or thrown away represent; many would not like to hear the answer. Nowadays we don’t like to think of anyone going anywhere but to heaven. And of course that is very nice, but I’m not so sure that it is realistic. Not too long ago I was talking with a priest who said that he did not believe that there was anyone in hell. I told him that was a very nice thought, and I too would love to believe it, but I don’t think we can count on it. After all why did Jesus tell a parable like He did in today’s third little story? Just because we don’t think anyone might go to hell or don’t believe anyone would go to hell, or don’t believe that there is a hell, doesn’t take away the reality of hell or the possibility that we can go there if we don’t live the right kind of lives. Wishing it will not make it go away.

I think it is quite a disservice to the people if a priest never says anything about the existence of hell or punishment for sin. I’m not saying that these should be his only topics. Just as in a family the parents should not always being laying down rules and punishments for disobeying the rules. But that doesn’t mean there should not be rules or consequences for the non-observance of them. It is a real disservice to the children if there is no discipline in the home. It certainly is a poor preparation for the children in later life. Unfortunately many of the ills in present day society can probably be traced back to the lack of discipline and/or proper training in the home. In my instructions to couples wanting to get married I point out to them that one of our greatest blessings is to have come from a good family, to have had good parents. I encouraged the soon to be wed couple to try to provide for themselves and their children the best family life that they possibly can. That is one of the greatest things that any parent can provide for their children. Incidentally it doesn’t depend upon the amount of wealth that one might have.

IN THE FIRST READING we see that God was very pleased with Solomon’s request for wisdom instead of riches or a long life, or victory in battle. The Wisdom of Solomon has become proverbial. Wisdom is something higher than just knowledge. Wisdom implies knowing how to use one’s knowledge in the right way. Wisdom knows how to use one’s time and wealth and efforts for the things that really matter, for the things that will last forever. That is why the question: “How will this affect my eternal salvation” is such an important question and should be reflected upon and asked frequently.

In some respects I think one of the most important and practical things that St. Paul ever wrote is the first line from today’s selection of his letter to the Romans: We know that all things work together for good for those who love God. I have seen that happen so often in my life and I feel confident the same is true for you. Just reflect back on some of the difficult situations that you’ve had to face. You didn’t know how they were going to work out, but somehow, some way, they did. You’re still here; I’m still here. God has taken care of us up to this point. Is there any reason to doubt that He will not continue to do so? No. None at all.


We hope you enjoyed this homily by Fr. Valentine Young, OFM.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“A striking detail: at Solesmes, we remember hearing Justine Ward criticize accompaniment sometimes or seeing her cover her ears, especially when the organ accompanied a soloist, which is something she could not accept.”

— Dom Pierre Combe

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