About this blogger:
Cynthia Ostrowski holds a bachelor's degree in Geographic Information Science and a minor in Computer Science from Texas A&M University Corpus Christi (2005). She is currently a stay-at-home mother of two children. A former GIS analyst, Cynthia's interests include photography, french horn, and singing polyphony.
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Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”
— Paul Hume (1956)

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Catholic Line Art, Black and White • Installment #30
published 14 July 2014 by Cynthia Ostrowski

Jules Breton won a prize in 1857 for his painting: Blessing of the Wheat, Artois.

268 The blessing of the wheat fields in Artois (1857)


Look closely … do those vestments look familiar?

267 Jules Breton


Wow! Similar vestments were used in the Campion Missal:

262 Confiteor


All the vestments used in the Campion Missal were more than 200 years old.

Here’s an extremely high quality download for you:

      * *  1857 • Jules Breton — Blessing of the Wheat Fields in Artois (PDF)