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Views from the Choir Loft

Dreaming in Latin

Veronica Brandt · July 12, 2014

Don Bosco INDING BEDTIME STORIES THAT ARE edifying for both parents and children can be a bit hit and miss (and miss and miss…) Many times there are stories I enjoyed from my youth that I am happy to read again, but that is a finite list. There are many books I would like to find time to read that would bore my kids to tears, but not this one.

My kids often wake up ready to compare dreams. There is nothing like listening to someone recounting a dream to bring home how ridiculous and pointless they can be. Most times they are much better forgotten.

Don Bosco’s dreams were startlingly thought-provoking. He was not allowed to forget them. His dreams were structured, usually with a guide to lead him and explain things (and to tell him to stop taking notes). They often provided guidance for his work, giving him material for talks and also letting him know the spiritual state of the boys in his care.

The dreams themselves, though useful, were not very comfortable. He was not overly keen to reveal his dreams, sometimes it would take a series of nightmares to convince him to retell a dream. They left him exhausted. Some left him in pain or with a foul stench that stayed for the rest of the day. Sometimes he would avoid sleep altogether.

But the aspect that might interest some readers here was that in the dreams there would be inscriptions or exclamations in Latin. Many were quotes from the Bible. Some came from the liturgy. It showed how this common sacral language could be used to emphasize timeless truths. It also heightened the sense of drama and mystery in the already very dramatic and mysterious dreams.

As the accounts of the dreams came from transcriptions from the talks of St John Bosco to his boys and his religious, he must have used the Latin in his talks, rather than just the vernacular. You could argue that Italian is so close to Latin it wouldn’t make so much difference, but these boys were from rough backgrounds.

Apart from the rhetorical effect of using Latin, maybe the main thing is that he used Latin because the messengers in his dreams used Latin.

A great book with much food for thought on the importance of prayer, the Sacraments, work and temperance, the four last things and especially on raising boys.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet which my parish will use during our Corpus Christi procession. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; in both major and minor keys; some are metered, while others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Whether celebrated with priest and people facing each other or with priest and people together facing the same direction, every Eucharist is Christ coming to meet us, gracing us with a share in his own divine life.”

— Most Rev’d Arthur J. Serratelli (1 December 2016)

Recent Posts

  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension

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