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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Ministry vs. Edification

Fr. David Friel · January 5, 2014

HERE IS A COMMON turn of phrase that I have often heard from brother priests. It’s a sort of heart-warming sentiment that sounds very pious and inviting at first. I find myself, however, wholeheartedly disagreeing with it.

This is roughly how the saying goes. The priest will say, “Many times during my priesthood, I have gone to visit people in their homes and in hospitals and in hospice centers. I may have thought that I was going there to minister to them. But, during the course of the visit, I discovered that it was really they who were ministering to me.”

I am neither a curmudgeon nor a clericalist. I recognize and have experienced the very thing these priests are trying to express. More often than I could ever recount, I have been inspired by the faith of the homebound; the perseverance in hope of the sick & dying; the honesty & humility of penitents; the trusting vulnerability of the addicted; the genuine gratitude & remarkable generosity of the poor; and so many other examples of courageous Christian witness.

Yet I still take issue with this particular phrasing. There is, after all, no such thing as “lay ministry”; the laity may engage in a particular apostolate, but the word “ministry” specifically refers to the evangelical work of a deacon, priest, or bishop. “Ministry,” without a doubt, has become one of the most misused and abused words in ecclesiastical vocabulary. Liturgical musicians, for example, often refer to “music ministry,” when it would be better to refer to the apostolate (or the work) of sacred music.

There is no contesting the fact that priests need not only to be ministers, but also to be the recipients of ministry. But this ministry can only come from another sacred minister. So many things in recent times (especially in the liturgical realm) have confused and blurred and obscured the authentic, Catholic notion of ministry. One thing that strongly supports the real meaning of the term, however, is the corrected translation of Et cum spiritu tuo in the Third Edition of the Roman Missal.

The USCCB website acknowledges that the response “And with your spirit” is addressed only to an ordained minister because “spiritu refers to the gift of the spirit he received at ordination.” The same web page explains further:

The dialogue is only used between the priest and the people, or exceptionally, between the deacon and the people. The greeting is never used in the Roman Liturgy between a non-ordained person and the gathered assembly.

That ordained ministers have received a unique configuration to Christ is not a novel interpretation of sacramental theology. The reservation of this classic Roman dialogue for use between priests & people supports this understanding. Notably, a layperson leading a Communion service does not use this dialogue. Why? Because he or she does not possess the gift of the Spirit specific to sacred ministers. “There are different kinds of spiritual gifts but the same Spirit” (1 Corinthians 12:4).

Every priest will acknowledge that he is constantly inspired in many & various ways by the laity, but it would be inaccurate to describe this as ministry. Lest I be accused of lodging a complaint without proffering a solution, let me propose a better way of expressing what so many priests want to express. Would it not be better to say that priests can be “edified” by their people, rather than “ministered to” by them? “Edify one another” (1 Thessalonians 5:11; Romans 14:19).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Roman Missal Third Edition, The Old ICEL Translation of the Mass, USCCB Secretariat of Divine Worship Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

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