• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Views from the Choir Loft

“Cannot” vs. “Will Not” in Sacred Music

Jeff Ostrowski · January 26, 2014

ONALD REAGAN was known as “The Great Communicator.” I will probably be remembered as “The Lousy Communicator.” For a long time, I’ve tried to explain that we’re unable to respond to all the emails we receive. If I were to adequately reply to each message, I’d have to stop everything else I’m doing and devote hours to email correspondence. Watershed would then cease to exist, because; (1) the monthly internet fees would not get paid; (2) folks would eventually stop donating because the president is not fulfilling his duties. Therefore, the choice is rather simple, as far as I’m concerned.

Sadly, certain people still believe that our failure to reply to every email is a “choice” we make. I just received a long email (including some very “crude” language) accusing me of all kinds of nasty things for not replying to an email. This person, like several others I’ve encountered, believes that I didn’t reply “because I didn’t want to.” I’ve obviously been unsuccessful in describing the difference 1 between “will not” and “cannot.” For the record, that person also called me “a hypocrite” and “morally bankrupt.”

THIS TOPIC IS ACTUALLY RELATED to Sacred music on a local level. I truly believe that many Catholics, especially priests, desire to have prayerful, dignified, excellent music during their liturgies. This is something they truly want. They’re even willing to pay for it. The problem is, they can’t seem to locate a really good director of music. In other words, it’s impossible for them in spite of their ardent desire.

This probably seems like a fairly “harsh” reality. Well, so be it. In many ways, music is difficult. It requires talent, years of careful listening, and (more often than not) expensive training. From time to time, I’ll notice one of my friends giving a workshop on liturgical music, and I secretly cringe when the advertising implies that a few days’ study will allow the participants to go home and successfully implement a musical program.

However, I have some good news. We’ve been working hard on something special … for about three (3) years! We’re getting very close to releasing information about this project. I’m not a patient person, and resisting the temptation to “let the cat out of the bag” has been extremely difficult. Please join our mailing list so you’ll be the first to hear about this project.

I believe this project will make a tremendous and immediate difference. Granted, this release will only mark the first stage of a large project we have planned. Still, I feel it will make a huge difference and we’re extremely excited!



NOTES FROM THIS ARTICLE:

1   Our parents did a good job teaching us what “can” means. When we were children, we’d say, “Mommy, can we go out and play?” She’d invariably reply, “Oh, I’m sure you’re capable of doing that.” Then we’d have to say, “Mommy, may we go out and play?”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Resources for training in Church music Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“However well equipped and trained a choir may be, all its good points may be obscured by an unsuitable accompaniment. In fact the organist can, in a large measure, either make or mar his choir. It must be owned, however, that the accompanist of Plainsong has to contend with many difficulties. […] The purist will still find his best enjoyment of the chant when it is sung unaccompanied, but to most a becoming accompaniment gives an added charm.”

— Benedictines of Stanbrook (1905)

Recent Posts

  • Cardinal Prevost (Pope Leo XIV) “Privately Offered the TLM in His Private Chapel”
  • “Entrance Chant” • 4th Sunday of Easter
  • Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?
  • Music List • “Repertoire for Weddings”
  • We (Will) Have A Pope!

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.