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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

“Polls Ye Shall Always Have With You”

Jeff Ostrowski · February 3, 2014

“The liturgy must keep a dignified and sacred character.” — Vatican Instruction issued 11/5/1970

832 Paul VI Vestments Paul VI ignored “polls” for Humanæ Vitæ OTHING MAKES a Church musician tremble like a parishioner saying: “Why don’t you do more music that people enjoy?” After all, in the year 2014 our decisions are increasingly governed by polls, and we’ve become accustomed to them. Speaking of the infamous Alius Cantus Aptus, László Dobszay said:

No song can be rejected because it is unworthy of the liturgy, for the counter-argument * is always at hand: “Our people like it”; “This congregation favors it”; “The song is fitting for this age group,” and so on.

We become distraught reading the latest poll numbers about how many Catholics think such-and-such or believe in such-and-such. We could learn a thing or two from Gary Larson’s comic strip The Far Side. In one scene, a team of surgeons surrounds an operating table and one doctor says, “OK, let’s put it to a vote: how many here say the heart has four chambers?” The lesson is clear: when it comes to really important things, surveys are often irrelevant. (For the record, the way in which surveys are conducted frequently affects their results.)

Even Rome has occasionally fallen under the influence of polls. Msgr. Schuler describes a 1981 survey which basically determined that “nobody wants Latin at Church and nobody is using it” (I’m paraphrasing). According to Schuler, the progressive liturgists were elated, and he explains how troubling such “glee” is:

      * *  1981 Editorial by Msgr. Richard J. Schuler • “Success” of the Liturgical Reform

Only a fool would give his students a “survey” to determine what he should teach them. Only a quack would give his patients a “poll” to determine what treatment he should prescribe for them. Tastes often change with time. Furthermore, the tastes of Person A, Person B, and Person C often conflict. When it comes to the sacred liturgy, polls and surveys are ultimately irrelevant, in spite of the fact that admitting this can make a person sound arrogant and dismissive. In fact, the Catholic Faith has never been a numbers game (cf. Jn 6:67), and there will be no polls taken when each of us appears before God to be judged.

AS MONSIGNOR SCHULER EXPLAINED in that article, the “progressive” liturgists won and the pronouncements of Vatican II lost … at least with regard to the Roman Liturgy. The heart-rending situation with regard to Sunday Mass attendance, belief in the Real Presence, vocations to the Priesthood, and so forth is not in dispute. Furthermore, the vast majority of Churches replace the Propers with banal music written in a secular style, and we’ve actually reached a point where many faithful Catholics believe songs like Be Not Afraid represent the “good old traditional Catholic hymns.”

And yet … some still aren’t content. The NLM recently reviewed a book attacking Benedict XVI’s decision to allow the Extraordinary Form as an option for those who want it. (Incidentally, this book was practically indistinguishable from hundreds of others commissioned by the same publisher.) It’s almost as if certain parties cannot bear the thought of even 1% of parishes having a reverent liturgy, Gregorian chant, sung Propers, polyphony & organ music, or (horror of horrors!) the Extraordinary Form. All of a sudden, the principle of “what the people want” doesn’t apply.

FOR YEARS, I WONDERED WHY this situation persisted. I’ve come to believe the answer is analogous to the worm that dieth not.  “The worm that dieth not” denotes the pain of regret in hell: knowing for all eternity how easy it would have been to obey God’s Law.

The reality is, serious Catholics know where to locate information about correct liturgical practices. Those who wish to “do it right” know which publishers are loyal to the Holy Father and which music professors take Vatican II seriously. Ask yourself this question: when was the last time you saw the music of today’s popular Catholic composers treated in a serious way? When did you hear such music afforded respect by professional musicians? When did you read an analysis of such music in a scholarly journal? The closest thing I can recall was a DMA thesis paper attempting to present Marty Haugen’s Mass of Creation as a masterpiece “because the melody draws substantially from the chromatic scale.” Gregorian chant is often very simple and singable by everyone — yet it remains highly regarded by serious people because it was composed with great skill.

Those who hate the traditions mandated by Sacrosanctum Concilium know deep down that such things are great, beautiful, holy, good, and serious. And this is what drives them crazy.

IN LATE 2013, MAESTRO JAMES MACMILLAN said decades of “mind-numbingly depressing banality” had followed the Second Vatican Council. His words annoyed a “progressive” Church composer named Bernadette Farrell, who published a reply. Her argument was basically that Church musicians ought to stop being selfish by programming music we like (i.e. Gregorian chant). Instead, Farrell continued, we should have the courage to play music according to others’ tastes. Here’s an excerpt from her article:

A conversion that removes my own needs and desires from the centre of my life and replaces it with others’.

Farrell is completely wrong here. In fact, nothing is easier than giving people what they want. What is truly difficult is ignoring the polls and following the Will of God as revealed to each of us through daily prayer, contemplation, and study of the Church documents.




NOTES FROM THIS ARTICLE:

*   Dom Gregory Murray wrote the following in 1977:

Those who like Palestrina will have little use for folk Masses. Everything depends on people’s background and what they are accustomed to. It would manifestly be as absurd to expect the monks of Solesmes to sing a folk Mass as to compel a group of pop-loving teenagers to limit their repertoire to a Mocquereau rendering of the chant.

However, Dom Gregory doesn’t indicate what should be done when a Solesmes monk attends Mass with a “pop-loving teenager.” Or is he saying only those who possess similar musical tastes should be allowed to attend Mass together?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Young people have entrusted me with their absolute preference for the Extraordinary Form… […] But, above all, how can we understand—how can we not be surprised and deeply shocked—that what was the rule yesterday is prohibited today? Is it not true that prohibiting or suspecting the Extraordinary Form can only be inspired by the demon who desires our suffocation and spiritual death?”

— Cardinal Sarah to Edward Pentin (23 September 2019)

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