Views from the Choir Loft

Marian Meditations on RJC Cecilia Music

Richard J. Clark · December 5, 2014

HEN I WAS YOUNG I never viewed the Blessed Virgin Mary as a great source of inspiration for composition. How wrong I was. Mary has been an enormous artistic inspiration to me. Aside from the fact that the rosary was a big part my life growing up, I believe it was Mary’s “Yes!” to God that is the overwhelming inspiration. I have no words to express this gift of “Yes!” to us all. Let music express this joy instead.

Some of these have been featured (even more than once) on this blog, but I leave offer it here for meditation and perhaps inspiration:

Ave Maria, Performed around the world by the American Boychoir – score available for digital download with RJC Cecilia Music

* * 1 • YouTube: Ave Maria | SSAT | The American Boychoir, Fernando Malvar-Ruiz, Director

* * 2 • YouTube: Ave Maria | TTBB | Schola Cantorum Sanctorum Angelorum, Andrew Leung, Director

Gaudens Gaudebo – I Will Greatly Rejoice!, performed by organist, Rosalind Mohnsen at the Basilica of the National Shrine of the Immaculate Conception in Washington, D. C. Based on the Introit for the Solemnity of the Immaculate Conception, this work also includes several Marian themes quoted throughout.

Score available for digital download with RJC Cecilia Music

Finally, another setting of Ave Maria from a larger nine movement work, called “Woman.” This movement was performed by the Seraphim Singers.

Score available for digital download with RJC Cecilia Music

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

“Music List” • 4th Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.

—Jeff Ostrowski

“Entrance Chant” • 4th Sunday of Easter

You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

Music List • “Repertoire for Weddings”

Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.

—Jeff Ostrowski

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker