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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fr. Jay Finelli Weighs In On The Jogues Missal

Jeff Ostrowski · December 29, 2014

511 Jay Finelli ATHER JAY FINELLI, known by many on account of his support for holy liturgies, has published a REVIEW of the Saint Isaac Jogues Illuminated Missal, Lectionary, & Gradual.

I especially like his initial quote, from Sacramentum Caritatis, a Post-synodal Apostolic Exhortation from the Holy See promulgated 22 February 2007:

EAUTY, THEN, is not mere decoration, but rather an essential element of the liturgical action, since it is an attribute of God himself and his revelation. These considerations should make us realize the care which is needed, if the liturgical action is to reflect its innate splendor.

Fr. Finelli continues his Review:

My copy of the Missal arrived in shrink wrap to protect the cover. The cover is clean, uncluttered and dignified, a solid deep blue. Each Sunday contains the Entrance Chant, Gradual, Offertory and Communion chants in both Latin and English, thus making available to congregations the universal and normative language of the Roman liturgy.

The highlight of the Missal is the Ordo Missæ, or Order of the Mass. The pages are cream colored, with beautiful, full color line art and photographs portraying the various Mass parts. The fonts are also distinguished by various colors: headings are in green, parts of the Mass in red and basic text in black. The Roman Canon appears in both Latin and English, while the other three optional Eucharistic Prayers appear in English only. This section immediately brought to mind my mother’s old hand missal.

The Missal encompasses all Sundays, Holy Week, special solemnities, funerals, weddings, and the Confirmation. There is an appendix featuring the sequences for Easter, Pentecost, and Corpus Christi, along with the Tract for Palm Sunday. At the very end of the Missal are the hymns and prayers for Benediction of the Blessed Sacrament and a congregational Mass setting in honor of St. Isaac Jogues.

912 Catholic Pew Lectionary Finelli


…read the rest by visiting Fr. Finelli’s website.


Image: Fr. Finelli 20th Anniversary Mass of Thanksgiving.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Fr Jay Finelli Holy Ghost Roman Catholic Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“Dom Pothier does not belong to the dim past, as the silence which surrounds his name would lead one to believe. Only a few years separate us from the time when—growing old and heavily burdened by trials—Dom Pothier was concentrating his ever keen attention on the study of manuscripts in the Belgian place of retreat where his community had found refuge. For he was the abbot; and there can be no doubt that the cross he wore during those days was a cross of sorrow, though he bore it with a smile.”

— Dom Ermin Vitry, OSB (31-OCT-1936)

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  • PDF • “Music List” (Xmas Midnight Mass)
  • What does this mean? “Pre-Urbanite”
  • “He never had a single day of conflict with anyone.”

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