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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Important Resources for Liturgical Reform (1 of 7)

Richard J. Clark · August 8, 2014

HILE STRIVING FOR the ideal in liturgy we also deal in the real world with real people. This makes our work challenging yet all the more rewarding as we edge closer and closer toward singing the mass and toward more reverent liturgy—nurturing both exterior and interior prayer. By this we hope to achieve what Saint Pius X states as the purpose of the liturgy: “…the Glory of God and the edification and sanctification of the faithful.” (Tra le Sollecitudini, General principles §1)

We are but imperfect in our frail humanity, and to achieve such goals we rely on God and each other! With choirs resuming recruitment and rehearsals, many are searching for new resources and direction. Some mainstream resources are geared towards maximizing market share; there are a number of others, perhaps lesser known that have the above words of St. Pius X and Sacrosanctum Concilium in mind. Therefore, this week, the writers of “Views” intend to shine the light not only on their own wonderful work but also on resources that your choir may find useful, affordable, and in many cases free.

OR ANY CHOIR ASKING THE QUESTION, “WHERE DO I BEGIN?” A great starting point is the astoundingly comprehensive Liturgical Planning pages of CanticaNOVA Publications. Senior Editor Gary Penkala has compiled lists of resources and suggested music for every Sunday and feast day of the liturgical calendar for the Novus Ordo.

A typical index for any given Sunday or feast day will list suggested settings in order of priority. Listed first are the official texts of the mass to be sung, i.e., the propers and the ordinary. For example, the Twentieth Sunday in Ordinary Time (A) lists multiple options for the Introit, Gradual/Responsorial Psalm, Alleluia, Offertory, and Communion. This includes Gregorian chant from the Graduale Romanum to various settings in English including those composed by the likes of Bartlett, Motyka, Oost-Zinner, Tietze, Rice, Ostrowski, etc. Links are provided to various sources. Some resources are free and some are available through CanticaNOVA Publications.

NLY AFTER THE PROPERS AND THE ORDINARY will you find suggestions for hymns and choral anthems. You can be certain that the hymns listed are theologically sound! For organists, there is a comprehensive list of organ repertoire suitable for preludes and postludes, etc.

At the bottom, you will always find very useful the “Liturgical Hints and Ideas.” For example, he discusses and provides links for general sources of the propers for what is described as “Real and authentic Catholic liturgical music.”

Finally, I offer a sampling of my own resources. Some are published with CanticaNOVA, some are free, and other published with RJC Cecilia Music.

      * *  Mass of the Angels • CanticaNOVA Publications
      * *  Mass in Honor of Pope Saint John Paul II • Free Download – Corpus Christi Watershed
      * *  Sacred Choral Works • RJC Cecilia Music
      * *  Chant Based Organ Works • RJC Cecilia Music


7-part series:   “Important Resources for Liturgical Reform”

FIRST PART • Richard Clark

SECOND PART • Veronica Brandt

THIRD PART • Fr. David Friel

FOURTH PART • Jeff Ostrowski

FIFTH PART • Jon Naples

SIXTH PART • Andrew Motyka

SEVENTH PART • Peter Kwasniewski

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: CanticaNOVA Publications, Reform of the Reform Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Ways to receive Our Lord as King of the Universe…read and reflect on the Sunday Scriptures, plan your whole weekend around receiving your King, wear your best garments, spend time in quiet, kneel to receive Him, receive Him on the tongue, offer silent time of thanks after mass.”

— Most Rev. Bishop Strickland (15 December)

Recent Posts

  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)
  • PDF Download • “Sprinkling Rite”

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