• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Liturgy vs. Social Justice

Fr. David Friel · August 31, 2014

F YOU PRAYED MATINS yesterday morning (Saturday of the 21st Week in Ordinary Time), you read a passage from St. John Chrysostom that might have made you feel uneasy. Anyone reading this post is presumably a lover of liturgy, and Chrysostom’s words could easily, at first, appear like a challenge to liturgy lovers.

The passage is from a homily on the Gospel of Matthew, chapter 25 (“Whatever you did to the least of My brethren, you did unto Me”). In the first paragraph of the selection, Chrysostom launches his first salvo: “What we do here in the church requires pure heart, not special garments. God does not want golden vessels, but golden hearts.” Fair enough, we say. It is agreed that the sacrifice of a humble, contrite heart is more essential than ecclesiastical finery. But, we would eagerly add, beauty in the liturgy—from architecture, to music, to vestments—is not merely superfluous. Not only is it integral to the sacred liturgy, but it is also essential for the health of the human soul.

Chrysostom would not disagree. He continues:

Now, in saying this I am not forbidding you to make such gifts; I am only demanding that, along with such gifts and before them, you give alms. God accepts the former, but He is much more pleased with the latter. In the former, only the giver profits; in the latter, the recipient does, too. A gift to the church may be taken as a form of ostentation, but an alms is pure kindness.

So often, the impression is given that there are sides to be taken, as though it were impossible to share an interest in both liturgy & social justice. Many who work with the poor are sharply critical of those who live in the realm of “impractical” things such as sacred music. Conversely, if we’re honest, there are many liturgists who are too quick to accuse those in the trenches of social advocacy of irreverence and disinterest toward divine worship. Need these things be pitted one against the other? Are they really such entirely separate domains?

Chrysostom speaks strongly about the moral duty to serve Christ in the poor:

Of what use is it to weigh down Christ’s table with golden cups, when He, Himself, is dying of hunger? First, fill Him when He is hungry; then use the means you have left to adorn His table. Will you have a golden cup made but not give a cup of water? What is the use of providing the table with cloths woven of gold thread, and not providing Christ, Himself, with the clothes He needs? . . . What if you were to see Him clad in worn-out rags and stiff from the cold, and were to forget about clothing Him and instead were to set up golden columns for Him, saying that you were doing it in His honor? Would He not think He was being mocked and greatly insulted?

No one has ever been accused for not providing ornaments, but for those who neglect their neighbor a hell awaits with an inextinguishable fire and torment in the company of the demon. Do not, therefore, adorn the church and ignore your afflicted brother, for he is the most precious temple of all.

We Catholics ought not to apologize for building beautiful churches or celebrating grand liturgies; the Catholic Church ought rather to be thanked for contributing these humanizing gifts to the world. Nor should the Church apologize for her missionary efforts to serve the underprivileged; she ought instead to be esteemed for the immeasurable aid given to the poor and suffering day after day throughout the world through the auspices of Catholic parishes, institutions, and associations.

As with so many aspects of theology, the best Catholic approach here is not one of “either/or” but one of “both/and.” Beautify the liturgy, yes, but also serve the poor. Work for social justice, to be sure, and also render to God the best of everything. These things are not incompatible. As my fellow blogger, Richard Clark, has written, it is not hypocritical for a parish to be both reverent and welcoming. Similarly, being a proponent of beautiful liturgy and being an advocate for true social justice are not mutually exclusive realities. In fact, it is hard for me to imagine the one not naturally leading to the other.

The words of St. John Chrysostom are challenging. They might serve as a good examination of conscience for folks invested in the careful celebration of the sacred rites. Am I as committed to serving the poor as I am to celebrating the liturgy?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty, Liturgy Wars, reverent and welcoming Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

St Ambrose had to be “corrected” by Pope Urban VIII. The ‘Iste confessor’ was greatly altered and the hymn for the Dedication of a Church—which no one ought to have touched—was in fact completely recast in a new meter. Singular demand, made by the taste of that particular epoch!

— Re: The hymn revisions of Pope Urban VIII (d. 1644)

Recent Posts

  • 2-Voice Arr. • “Creator of the Starry Height”
  • PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin
  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.