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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why the Mass is the Key to the New Evangelization

Dr. Peter Kwasniewski · August 21, 2014

PERSON WHOM I greatly respect voiced the opinion that achieving a friendly opening to conversation with an unbeliever or a fallen-away Catholic is a more important task, or at least a more urgent one, than getting the “details” of the liturgy right. Such an opinion is, I believe, extremely common.

But is this not to turn things upside down? The liturgy is the “tip of the spear,” as Fr. Zuhlsdorf rightly says―the alpha and the omega, the source and summit, the primary locus and vehicle of evangelizing hearts. We have books and catechism classes to educate the mind, but the heart is captivated above all by the majesty and mystery of divine worship. Remember the story of the ambassadors of the ruler of Kievan Rus? After witnessing the Divine Liturgy in all its beauty and splendor, they declared that heaven had come to earth and they had to become Byzantine Christians.

We hear a lot these days about the New Evangelization, and how imperative it is for us to roll up our sleeves, get busy knocking on doors, engage the world, change the culture, confront the enemies. But we run a very real and serious danger when we tread this line of activism, which can externalize, disperse, and dilute us if we are not absolutely rooted in and centered on the sacred mysteries. The very Gospel itself is embodied and expressed in the liturgy, so getting it right is not only the most important thing for us to do, but the very first and last concern we should have. Everything else comes after this, and everything should lead up to it.

Two of our most heroic preachers of the faith today concur with this judgment. An interview with the National Catholic Register, Archbishop Alexander Sample was asked: “Can a Mass be a form of evangelization and transform the culture?” His Excellency responded:

I am solidly convinced that an authentic and faithful renewal and reform of the sacred liturgy is not only part of the New Evangelization ― it is essential to its fruitfulness. The liturgy has the power to form and transform the Catholic faithful. We must live by the axiom lex orandi, lex credendi (the law of praying is the law of believing). What we celebrate in the Mass expresses the essential content of the faith, and it also reinforces our faith when celebrated well and with fidelity.

The liturgy both teaches us and expresses what we believe. If we do not get the sacred liturgy right, I fear that we will just be spinning our wheels rather than getting the New Evangelization going in the right direction. If we are transformed by the sacred liturgy, then we, as believers, can help transform the culture.

THIS IS IT, FOLKS: straight talk that gets cause and effect in the right relationship. Then there are the words of the great Malcolm Cardinal Ranjith in an interview conducted by Edward Pentin for Zenit:

People have misconceptions about evangelization as if it is something we ourselves, with human effort, can achieve. This is a basic misunderstanding. What the Lord wanted us to do was to join him and His mission. The mission is His mission. If we think we are the ones to be finding grandiose plans to achieve that, we are on the wrong track. The missionary life of the Church is the realization of our union with Him, and this union is achieved in the most tangible way through the liturgy. Therefore, the more the Church is united with the Lord in the celebration of the liturgy, the more fruitful the mission of the Church will become. That is why this is very important.

We are constantly being told that “There are things far more important than the liturgy… Charity… Discipleship…. New Evangelization… Natural Law…” But is it really true? How does the Lord come to us? How do we receive His very self―body, blood, soul, and divinity―for our salvation? Where and when do we most perfectly respond to His revelation of Himself in Word and Sacrament, and receive from Him an abundant increase of grace? How do we most of all fulfill the obligations of the virtue of religion and the exercise of the theological virtues? When all is said and done, what are we evangelizing people for the sake of? Answer: their personal encounter with Jesus Christ in his flesh and blood reality, since He Himself says: “Truly, truly, I say to you, unless you eat the flesh of the Son of man and drink his blood, you have no life in you” (Jn 6:53) and “Apart from me, you can do nothing” (Jn 15:5). Without the Bread of Life, there is eternal death for us. That is why, as long as the New Evangelization means what it should―the proclamation of the truth that Jesus is Lord and there is salvation in no one else, either for the individual or for society―it will also always and everywhere begin and end in the sacraments, and in particular, the Most Blessed Sacrament, in which, says St. Thomas, the common good of the entire universe is found.

A LAST THOUGHT. What we have said here about the liturgy in general applies in a special way to the apostolate of sacred music, as Pope Benedict XVI explained in an address to Schola Cantorum Pilgrims in 2012. Having spoken of how authentic sacred music gives apt expression to the Faith and supports our life of faith, the Pope Emeritus continued:

The second aspect that I propose for your reflection is the relationship between sacred song and the new evangelization. … [P]recisely in countries, such as Italy, where evangelization occurred centuries ago, sacred music―with its own great tradition, which is our Western culture―can and does have a relevant task of assisting in the rediscovery of God, a return to the Christian message and the mysteries of the faith. We think of the celebrated experience of Paul Claudel, the French poet, who converted while listening to the singing of the Magnificat during the Christmas vespers at the Cathedral of Notre Dame in Paris: “At that moment,” he writes, “there occurred the event that dominated my entire life. In a twinkling my heart was touched and I believed. I believed with such a powerful adherence, with such an elevation of my whole being, with such a strong conviction, in a certainty that did not leave space for any sort of doubt that, after that moment, no reasoning, no circumstance of my troubled life, was able to shake or touch my faith.” But we need not have recourse to illustrious persons to think of how many people have been touched in the depths of their soul listening to sacred music; and of how many more have felt themselves, like Claudel, newly drawn to God by the beauty of liturgical music.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
    EARS BEFORE truly revolutionary changes were introduced by the post-conciliar reformers, Evelyn Waugh wrote (on 16 August 1964) to John Cardinal Heenan: “I think that a vociferous minority has imposed itself on the hierarchy and made them believe that a popular demand existed where there was in fact not even a preference.” We ask the kind reader— indeed, we beg you—to realize that those of us born in the 1940s and 1950s had no cognizance of Roman activities during the 1960s and 1970s. We were concerned with making sure we had the day’s bus fare, graduating from high school, taking care of our siblings, learning a trade, getting a job, courting a spouse. We questioned neither the nuns nor the Church.1 Do not believe for one instant any of us were following the liturgical machinations of Cardinal Lercaro or Father Bugnini in real time. Setting The Stage • To never question or resist Church authorities is praiseworthy. On the other hand, when a scandalous situation persists for decades, it must be brought into focus. Our series will do precisely that as we discuss the Lectionary Scandal from a variety of angles. We don’t do this to attack the Catholic Church. Our goal is bringing to light what’s been going on, so it can be fixed once and for all. Our subject is extremely knotty and difficult to navigate. Its complexity helps explain why the situation has persisted for such a long time.2 But if we immediately get “into the weeds” we’ll lose our audience. Therefore, it seems better to jump right in. So today, we’ll explore the legality of selling these texts. A Word On Copyright • Suppose Susie modifies a paragraph by Edgar Allan Poe. That doesn’t mean ipso facto she can assert copyright on it. If Susie takes a picture of a Corvette and uses Photoshop to color the tires blue, that doesn’t mean she henceforth “owns” all Corvettes in America. But when it comes to Responsorial Psalm translations, certain parties have been asserting copyright over them, selling them for a profit, and bullying publishers vis-à-vis hymnals and missals. Increasingly, Catholics are asking whether these translations are truly under copyright—because they are identical (or substantially identical) to other translations.3 Example After Example • Our series will provide copious examples supporting our claims. Sometimes we’ll rely on the readership for assistance, because—as we’ve stressed—our subject’s history couldn’t be more convoluted. There are countless manuscripts (in Greek, Hebrew, and Latin) we don’t have access to, so it would be foolish for us to claim that our observations are somehow the ‘final word’ on anything. Nevertheless, we demand accountability. Catholics in the pews are the ones who paid for all this. We demand to know who specifically made these decisions (which impact every English-speaking Catholic) and why specifically certain decisions were made. The Responsorial Psalms used in America are—broadly speaking—stolen from the hard work of others. In particular, they borrowed heavily from Father Cuthbert Lattey’s 1939 PSALTER TRANSLATION:
    *  PDF Download • COMPARISON CHART —We thank the CCW staff for technical assistance with this graph.
    Analysis • Although certain parties have been selling (!!!) that translation for decades, the chart demonstrates it’s not a candidate for copyright since it “borrows” or “steals” or “rearranges” so much material from other translations, especially the 1939 translation by Father Cuthbert Lattey. What this means in layman’s terms is that individuals have been selling a translation under false pretenses, a translation they don’t own (although they claim to). To make RESTITUTION, all that money will have to be returned. A few years ago, the head of ICEL gave a public speech in which he said they give some of “their” profits to the poor. While almsgiving is a good thing, it cannot justify theft. Our Constant Theme • Our series will be held together by one thread, which will be repeated constantly: “Who was responsible?” Since 1970, the conduct of those who made a profit by selling these sacred texts has been repugnant. Favoritism was shown toward certain entities—and we will document that with written proof. It is absolutely essential going forward that the faithful be told who is making these decisions. Moreover, vague justifications can no longer be accepted. If we’re told they are “making the translations better,” we must demand to know what specifically they’re doing and what specific criteria they’re following. Stay Tuned • If you’re wondering whether we’ll address the forthcoming (allegedly) Lectionary and the so-called ABBEY PSALMS AND CANTICLES, have no fear. We’ll have much to say about both. Please stay tuned. We believe this will end up being the longest series of articles ever submitted to Corpus Christi Watershed. To be continued. ROBERT O’NEILL Former associate of Monsignor Francis “Frank” P. Schmitt at Boys Town in Nebraska JAMES ARNOLD Formerly associated w/ King’s College, Cambridge A convert to the Catholic Church, and distant relative of J. H. Arnold MARIA B. Currently serves as a musician in the Roman Catholic Diocese of Charlotte. Those aware of the situation in her diocese won’t be surprised she chose to withhold her last name.
    1 Even if we’d been able to obtain Roman journals such as NOTITIAE, none of them contained English translations. But such an idea would never have occurred to a high school student or a college student growing up in the 1960s. 2 A number of shell corporations claim to own the various biblical translations mandated for Roman Catholics. They’ve made millions of dollars selling (!) these indulgenced texts. If time permits, we hope to enumerate these various shell corporations and explain: which texts they claim to own; how much they bring in each year; who runs them; and so forth. It would also be good to explore the morality of selling these indulgenced texts for a profit. Furthermore, for the last fifty years these organizations have employed several tactics to manipulate and bully others. If time permits, we will expose those tactics (including written examples). Some of us—who have been working on this problem for three decades—have amassed written documentation we’ll be sharing that demonstrates behavior at best “shady” and at worst criminal. 3 Again, we are not yet examining the morality of selling (!) indulgenced texts to Catholics mandated to use those same translations.
    —Guest Author
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“We decided to entrust this work to learned men of our selection. They very carefully collated all their work with the ancient codices in Our Vatican Library and with reliable, preserved or emended codices from elsewhere. Besides this, these men consulted the works of ancient and approved authors concerning the same sacred rites; and thus they have restored the Missal itself to the original form and rite of the holy Fathers.”

— ‘Pope St. Pius V (Quo Primum, 1570)’

Recent Posts

  • PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
  • “Music List” • 17th in Ordinary Time (Year C)
  • Flor Peeters In A Weird Mood?
  • Communion • “Ask & You Shall Receive”
  • Jeff’s Mother Joins Our Fundraiser

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