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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Important Resources for Liturgical Reform (4 of 7)

Jeff Ostrowski · August 11, 2014

965 Gregorian HOULD CHURCH MUSIC be fun? I think so, but only recently realized this. A few months ago, I was alone in a room with a keyboard, waiting for my ride to arrive. The only book there was my collection of Chabanel Psalms. In case you don’t know, I usually detest my compositions after they’re published. (My friends who compose admit the same thing, so hopefully I’m not crazy.)

I began to play through some of my pieces. “Wow,” I thought, “this one isn’t horrible after all.” A while later, I was saying, “Hey, I actually kind of like this one.” As time went on, I realized that many of my psalm settings were really nice, and I was having fun singing through them. Then, I got worried.

“This is Church music. Is it supposed to be fun?”

YES, SINGING CHURCH MUSIC should be fun, although “fun” isn’t the best word. Singing the Psalms should be A DELIGHT. From what I can tell, the Church has always placed a great value on “keeping things interesting” at Mass. After all, we’re only human. So, the delightful melodies, the stained glass windows, the incense, and the entire liturgy ought to help us pray. As I mentioned in this article, variety helps prevent our minds from wandering. In the early centuries of the Church, the variety of antiphons and psalm tones helped the monks memorize the different Psalms—and there were tons of them! Nevertheless, the Church documents 1 have always stressed that everything done at the liturgy must be dignified.

You might like some of my psalm settings. You can download the entire collection here:

      * *  Saint Noël Chabanel Responsorial Psalms — 607 pages

You can also purchase bound books at that link (for a very reasonable price), but why purchase hard copies when you have the PDF file? I recommend doing so for the following reasons:

(a) it’s cheaper than printing on your own;

(b) bound books with beautiful covers are nice;

(c) you should obtain these while you can, because the future is unpredictable—even in the best of times!

NOW, LET ME TELL YOU about a truly marvelous collection you need to obtain. This collection of organ interludes for manuals only was composed by Dom Gregory Murray, and you can read the Preface by clicking here.

These pieces are TREMENDOUS.   Here’s a sample score:

      * *  100 Easy, Beautiful Organ Interludes for Manuals Only — Dom Gregory Murray

Here’s where you can purchase the complete collection:

      * *  Purchase this collection — from SheetMusicPlus

You won’t regret purchasing these!

Once upon a time, Watershed was going to look into publishing these, since many were written in the 1930s. However, this seems unlikely at this point. For one thing, I’ve been extremely ill since April, and this has made life quite difficult. That’s why I said above: “The future is unpredictable.”


7-part series:   “Important Resources for Liturgical Reform”

FIRST PART • Richard Clark

SECOND PART • Veronica Brandt

THIRD PART • Fr. David Friel

FOURTH PART • Jeff Ostrowski

FIFTH PART • Jon Naples

SIXTH PART • Andrew Motyka

SEVENTH PART • Peter Kwasniewski



NOTES FROM THIS ARTICLE:

1   Several significant quotes are given during this exuberant video.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dom Gregory Murray 100 Organ Interludes, Free Responsorial Psalms Organ Vocalist Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“The Pope is not an absolute monarch whose thoughts and desires are law. On the contrary: the Pope’s ministry is a guarantee of obedience to Christ and to his Word. He must not proclaim his own ideas, but rather constantly bind himself and the Church to obedience to God’s Word, in the face of every attempt to adapt it or water it down, and every form of opportunism.”

— ‘His Holiness, Pope Benedict XVI (11 May 2005)’

Recent Posts

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  • PDF • “Music List” (Xmas Midnight Mass)
  • What does this mean? “Pre-Urbanite”
  • “He never had a single day of conflict with anyone.”

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