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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Does music keep kids quiet at Mass?

Veronica Brandt · May 4, 2013

WAS GOING TO WRITE a more confident answer to the title of this article, until a recent Mass with the most beautiful singing and the noisiest children. It brought it home that music is not an instant fix. Dr. Peter Kwasniewski’s article last week Music as a Character-Forming Force sheds some light on the subject.

“To think that children will automatically grow up into adults who have a sense of what is and is not fitting, appropriate, noble, beautiful, is as naïve as thinking that they would behave morally or turn to God in prayer with no discipline and no religious education.”

When we teach our children to behave during Mass we are laying the foundations for good habits. There’s the positive side of teaching them the beauty of what is happening there and the negative side of what shouldn’t happen there. This takes time, patience and much repetition, but it is worthwhile!

The music of the Mass is a big help towards this positive side. Children aren’t big on abstract ideas. They have a more concrete world with lots of emotional turbulence. Music is the language of emotions. You can speak to children with the music to communicate the difference between music for dancing around and music for that difficult concept of being quiet and still. Anticipating what music they will hear at Mass and running through it at home can be a huge help. Song is much more effective when you have a go at singing it yourself – get into how it feels.

Bring liturgical music into the daily rhythm with some of the Liturgy of the Hours or Divine Office. There is so much Gregorian chant available, it can be overwhelming, but maybe starting with the Marian antiphon for the season and picking up bits slowly. Children are great with daily rituals.

Reading St. Thérèse’s Story of a Soul we find that as a very young child she did not attend Mass. Her mother would go to an early Mass and then the rest of the family to the main Mass, bringing home the pain bénit or blessed bread (a sacramental, not the Blessed Sacrament). Many of us today cannot arrange something like that, but it is a comfort to know that even saints sometimes didn’t sit still through Mass as young children.

Sometimes it might seem a parent spends all of Mass outside. As our pastor frequently points out, you don’t need a line of sight to the altar to fulfil your Sunday obligation. Taking disruptive children outside is a normal part of teaching children how to behave. It isn’t a sign of a bad child or a problem, but part of the answer.

It may feel like forever, but children do grow up. The days are long but the years are short. Today’s toddlers are tomorrow’s altar servers and choir members. Then we can look back and whisper a “Thanks be to God.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Children at Mass Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

Recent Posts

  • “Reader Feedback” • 5 November 2025
  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant

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