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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sung Propers: Various Simple Settings In English

Corpus Christi Watershed · May 27, 2013

ILBERT K. CHESTERTON said famously, “Christianity has not been tried and found wanting; it has been found difficult and not tried.” When it comes to the Sung Propers, we can say that, in general, they have not even been found, much less tried. But if they were to be found, they might be judged too difficult to begin immediately. Therefore, the following resources have been provided to assist choirmasters. During this demonstration, we shall consider the Introit from Pentecost (some documents refer to it as the “Entrance Chant”). As with the vast majority of the Mass Propers, this chant is very ancient. To see more versions, click here.

Here’s how the PENTECOST INTROIT looked around the year 970AD:

The official version of the PENTECOST INTROIT in our modern chant books can be found in the Gregorian Missal. The entire Gregorian Missal can be downloaded for free courtesy of the CMAA, but watch out because it’s a large download (26MB). By the way, here’s a website with video recordings and organ accompaniments for every chant in the Gregorian Missal.


1. Gregorian Missal

Here’s how the PENTECOST INTROIT looks in the Gregorian Missal:


2. Graduale Parvum

Is that version too difficult for you? One alternative might be the simplified version (in Latin & English) found in the Graduale Parvum, a book being created by Fr. Guy Nicholls at a new institute. The Graduale Parvum can be downloaded for free courtesy of the James MacMillan’s Blog.

Here’s how the PENTECOST INTROIT looks in the Graduale Parvum:


3. Simple English Propers

Another simplified version can be found in the Simple English Propers, published by the Church Music Association of America. The complete book can be downloaded for free courtesy of the CMAA, but be advised it’s a large download (11.3MB).

Here’s how the PENTECOST INTROIT looks in the Simple English Propers:


4. Arbogast Propers

Yet another simplified setting can be found in a 1964 collection by Fr. Paul Arbogast. His complete book can be downloaded for free courtesy of the CMAA. Be careful with this book, because the Propers don’t always perfectly match the Ordinary Form, since the Ordinary Form was not complete until 1969.

Here’s how the PENTECOST INTROIT looks in the Arbogast Propers:


5. Lalemant Propers

If you require the absolute simplest Mass Propers, try the musical settings in the Lalemant Propers. The entire book (391 pages) can be downloaded for free.

Here’s how the PENTECOST INTROIT looks in the Lalemant Propers:


We have examined simple musical settings of the Propers, mainly in English, but it should be noted that before the Second Vatican Council, many simplified versions were also done in Latin.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Since the English is not meant to be sung, but only to tell people who do not understand Latin what the text means, a simple paraphrase in prose is sufficient. The versions are not always very literal. Literal translations from Latin hymns would often look odd in English. I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Fr. Adrian Fortescue (1913)

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