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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sung Propers: Various Simple Settings In English

Corpus Christi Watershed · May 27, 2013

ILBERT K. CHESTERTON said famously, “Christianity has not been tried and found wanting; it has been found difficult and not tried.” When it comes to the Sung Propers, we can say that, in general, they have not even been found, much less tried. But if they were to be found, they might be judged too difficult to begin immediately. Therefore, the following resources have been provided to assist choirmasters. During this demonstration, we shall consider the Introit from Pentecost (some documents refer to it as the “Entrance Chant”). As with the vast majority of the Mass Propers, this chant is very ancient. To see more versions, click here.

Here’s how the PENTECOST INTROIT looked around the year 970AD:

The official version of the PENTECOST INTROIT in our modern chant books can be found in the Gregorian Missal. The entire Gregorian Missal can be downloaded for free courtesy of the CMAA, but watch out because it’s a large download (26MB). By the way, here’s a website with video recordings and organ accompaniments for every chant in the Gregorian Missal.


1. Gregorian Missal

Here’s how the PENTECOST INTROIT looks in the Gregorian Missal:


2. Graduale Parvum

Is that version too difficult for you? One alternative might be the simplified version (in Latin & English) found in the Graduale Parvum, a book being created by Fr. Guy Nicholls at a new institute. The Graduale Parvum can be downloaded for free courtesy of the James MacMillan’s Blog.

Here’s how the PENTECOST INTROIT looks in the Graduale Parvum:


3. Simple English Propers

Another simplified version can be found in the Simple English Propers, published by the Church Music Association of America. The complete book can be downloaded for free courtesy of the CMAA, but be advised it’s a large download (11.3MB).

Here’s how the PENTECOST INTROIT looks in the Simple English Propers:


4. Arbogast Propers

Yet another simplified setting can be found in a 1964 collection by Fr. Paul Arbogast. His complete book can be downloaded for free courtesy of the CMAA. Be careful with this book, because the Propers don’t always perfectly match the Ordinary Form, since the Ordinary Form was not complete until 1969.

Here’s how the PENTECOST INTROIT looks in the Arbogast Propers:


5. Lalemant Propers

If you require the absolute simplest Mass Propers, try the musical settings in the Lalemant Propers. The entire book (391 pages) can be downloaded for free.

Here’s how the PENTECOST INTROIT looks in the Lalemant Propers:


We have examined simple musical settings of the Propers, mainly in English, but it should be noted that before the Second Vatican Council, many simplified versions were also done in Latin.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The chapter orders that any cathedral singer or instrumentalist who uses a paid leave of absence to try out for a post elsewhere shall automatically forfeit his post at Seville Cathedral.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

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