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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fr. Rumble Of “Radio Replies” Comments On Folksinging At Mass

Jeff Ostrowski · May 13, 2013

ATHER LESLIE RUMBLE, best known for his work on the famous “Radio Replies” series, is one of my heroes. Unfortunately, that doesn’t mean he was infallible. In 1972, the elderly Fr. Rumble made a comment about Church music in America that (sadly) did not adequately represent the true enormity of the problems at that time. I hesitate to “correct” someone as brilliant as Fr. Rumble, but his words just don’t seem to be accurate. My impressions come from many sources, including (but not limited to) Msgr. Schuler’s documentation on this tragic subject. Here’s what Rev. Rumble said:

As regards music, do the new liturgical rules permit “folksinging” at Mass?
  The Vatican Council’s decree on “Liturgy,” says, in n.116, that while Gregorian chant is especially suitable, other kinds of sacred music are not excluded provided they accord with the spirit of the liturgy; that is, it must be music befitting divine worship. In n.120, the Council condemns music not “in accord with the dignity of the temple,” or not “contributing to the edification of the faithful.” We have had pressreports of eccentric behaviour at Mass and of the introduction of singing more appropriate to music-halls than to the atmosphere of reverence that should prevail in a church. These reports have come mainly from America, and they refer only to isolated instances. An opinion survey there among Catholics, involving over 40,000 interviews, found 89% opposed to such innovations with only 8% for them, and 3% undecided. There will always be an irresponsible minority ready to make concessions to the secular spirit of the age in order to appear “modern” or “with-it”, as they say. The remedy for that is fidelity in a spirit of obedience to the provisions of the Council’s Decree on the Liturgy — a disciplinary willingness to be expected of every normally good Catholic. —Fr. Leslie Rumble (1972)

To make a long story short, the horrible atrocities in America at that time were not “isolated incidents.” That being said, I’d love to learn more about the survey he mentions. You can read a bunch more comments Fr. Rumble made in 1972 by going to this link:

      * *  Fr. Leslie Rumble • Radio Replies (Sacred music, ad orientem, and much more)

Not to be missed are Fr. Rumble’s (surprising!) approval of the old ICEL translations (which did so much harm to the Church for such a long time), his thoughts on singing “Protestant hymns” during Mass, and his intriguing statements about the “ad orientem” posture.

Finally, here’s a very interesting biography of Fr. Leslie Rumble:

LESLIE AUDOEN RUMBLE (1892-1975), Catholic priest, was born on 24 August 1892 at Enmore, Sydney, third son of English parents Harry Humphrey Rumble, civil engineer, and his wife Kate Rosaline, née Knight. Leslie was baptized an Anglican. At the age of 3 he went with his family to Western Australia, where he attended state schools until he was 14. Although there was little religion in the home, his father suddenly became a Catholic in 1908 and insisted that the family did likewise. Leslie was a reluctant convert and after two years reverted to the Church of England. While working as a photographer, he was impressed by a Catholic colleague, rejoined the Catholic Church and felt a call to the priesthood. Judging that Rumble was too English to be happy among secular priests, his parish priest suggested that he try the French Missionaries of the Sacred Heart, in Sydney. The young man entered the juniorate in March 1913.
  Soon afterwards Harry announced that he and the family had renounced Rome. For ten years father and son maintained a controversial correspondence, until, just before Leslie’s ordination to the priesthood on 26 July 1924, Rumble senior and most of the others returned to the faith. En route to Rome to study at the Dominicans’ Ponteficio Ateneo ‘Angelicum’ (D.D., 1927), the new priest gave them Holy Communion.
  Returning to Sydney in 1927, Rumble taught theology at the Sacred Heart Monastery, Kensington. As part of the preparations for the International Eucharistic Congress, he began in 1928 a Sunday evening programme on radio-station 2UE, answering queries about Catholicism. Dr Rumble’s ‘Question Box’ was transferred to the Catholic station 2SM and continued until 1968. Interstate Catholic papers carried this material to those outside the range of the radio signal. Four collections of his questions and answers, the first in 1934, sold seven million copies, principally in the United States of America, making him a much-quoted spokesman. He also wrote many pamphlets and magazine articles.
  Rumble’s knowledge of the varieties of belief (derived from his family’s experience) conditioned him to play fair with questioners, whom he always treated as honest inquirers. Using plain language and short sentences, and avoiding rhetoric, he spoke ninety words to the minute in a voice like worn sandpaper, giving an effect of common sense and rationality. When anyone asked what the Church taught about a specific subject, he quoted the Bible—thus quietly claiming it as the book of the Church. He liked to bring in Protestant authorities to support a case and kept the works of many Protestant authors on his shelves.
  The shelves were made by Rumble himself, from fruit boxes; just as he repaired his own shoes, he did his own sewing. The simplicity a superior had noted in him as a novice stayed with him to the end. Given a television set, he put it in the monastery’s common-room, watching only cricket and boxing occasionally. His recreation was giving retreats. Advancing glaucoma forced him to retire in 1968. In obedience to his religious superior he collated a final book, Questions People Ask About the Catholic Church (1972), which read like a temperature chart of the Church after the Second Vatican Council. Dr Rumble, although loyal, was not comfortable in that era. He died on 9 November 1975 in Lewisham Hospital and was buried in the Sacred Heart cemetery, Douglas Park.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“The council did not say Latin should be abolished. It said Latin should be used. […] While at Ecclesia Dei, I once received a letter from a chancery office in the United States, asking me if I didn’t know that the council had abolished Latin!”

— Cardinal Mayer, Prefect (1985–1988) of the Vatican’s Congregation for Divine Worship

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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