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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jesuits, Juilliard, And The Latin Mass In Florida

Jeff Ostrowski · March 25, 2013

OR THOSE discovering Mass in the Extraordinary Form, one of the first realizations is that the priest “disappears.” I come from a family of five children, and when we first went to the Latin Mass in the 1990s, I clearly remember all of us noticing this. The priest keeps his head down most of the time. (As a matter of fact, the movements of his head are carefully prescribed by the rubrics.) I think we can all agree that the priest “disappearing” is a very good thing, but it led to problems in this instance, since I wanted to include information about the Pastor (Fr. Clement) but could not find any on the website. Perhaps one of our readers knows more information about this parish and can E-mail us.

In any event, one of our readers alerted us to the following fantastic video:

I especially enjoyed the following quotes by Fr. Hough:

“When you attend the Latin Mass, what you realize is, it doesn’t really matter how you feel that day, whether you feel happy or sad: you’re entering into something far greater than you.”

“I believe that more and more people will start to come to this, if nothing else because they wish to find a way in their world to carve out quiet time.

They have a beautiful website I would encourage everyone to visit:

      * *  http://sacrificiumsanctum.org/

I see they are currently in the process of raising funds for a new Latin Mass Missal and Hymnal (Yay!):

We are trying to raise $1500 to purchase 100 St. Edmund Campion Missals/Hymnals to have available for you to use for Mass. Any amount you can give is greatly appreciated.

Finally, here’s a bit of information I found on their blog [url]:

It is my pleasure to introduce and welcome Fr. J. Patrick Hough, S.J. Recently I had the privilege to meet Fr. Hough when I visited Jesuit High School. After learning that Fr. Hough is trained in celebrating the Extraordinary Form, I invited him to assist me on a regular basis in celebrating the Traditional Latin Mass at Incarnation. Thankfully, he accepted and will begin by being the main celebrant on December 2nd. Please come out to welcome Fr. Hough and extend to him our gratitude and hospitality.

Fr. J. Patrick Hough, S.J., 38, is originally from Lancashire, England, where he attended Stonyhurst College. An athlete and musician, he spent a year teaching math and geography, coaching tennis and working with the music program at St. Ignatius High School in Sydney, Australia. He earned his Bachelor’s degree in Geography from Leeds University, followed by a second Bachelor’s degree in Sacred Theology from the Pontifical Gregorian University in Rome, and he spent an additional year studying theology at Pontifical Angelicum University, also in Rome.

Upon entering the Jesuit novitiate in 2002, he worked at both Sacred Heart Church in El Paso and Strake Jesuit College Preparatory in Houston. He then went on to earn a Master’s degree in Medieval History from Fordham University in New York where he also served as music director of the Sunday evening student mass at St. Paul’s Church. He also studied orchestral conducting and singing at the Juilliard School. During his regency, Fr. Hough taught and served as coach of the rowing team at Jesuit College Preparatory in Dallas, after which he earned his Licentiate in Sacred Theology from the Jesuit School of Theology at Santa Clara University in Berkeley, Calif. While there, he was assistant coach of the freshman rowing team at the University of California in Berkeley.

Fr. Hough is currently assigned to Jesuit High School here in Tampa, where he serves as the Director of the Department of Theology. I am happy to welcome him on board at Incarnation and look forward to his help with the Traditional Latin Mass, and I’m sure you will too.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

Recent Posts

  • “Reminder” — Month of Febr. (2026)
  • Seminary Music Directors Gather in Houston
  • 💲 5.00 💵
  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.