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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jesuits, Juilliard, And The Latin Mass In Florida

Jeff Ostrowski · March 25, 2013

OR THOSE discovering Mass in the Extraordinary Form, one of the first realizations is that the priest “disappears.” I come from a family of five children, and when we first went to the Latin Mass in the 1990s, I clearly remember all of us noticing this. The priest keeps his head down most of the time. (As a matter of fact, the movements of his head are carefully prescribed by the rubrics.) I think we can all agree that the priest “disappearing” is a very good thing, but it led to problems in this instance, since I wanted to include information about the Pastor (Fr. Clement) but could not find any on the website. Perhaps one of our readers knows more information about this parish and can E-mail us.

In any event, one of our readers alerted us to the following fantastic video:

I especially enjoyed the following quotes by Fr. Hough:

“When you attend the Latin Mass, what you realize is, it doesn’t really matter how you feel that day, whether you feel happy or sad: you’re entering into something far greater than you.”

“I believe that more and more people will start to come to this, if nothing else because they wish to find a way in their world to carve out quiet time.

They have a beautiful website I would encourage everyone to visit:

      * *  http://sacrificiumsanctum.org/

I see they are currently in the process of raising funds for a new Latin Mass Missal and Hymnal (Yay!):

We are trying to raise $1500 to purchase 100 St. Edmund Campion Missals/Hymnals to have available for you to use for Mass. Any amount you can give is greatly appreciated.

Finally, here’s a bit of information I found on their blog [url]:

It is my pleasure to introduce and welcome Fr. J. Patrick Hough, S.J. Recently I had the privilege to meet Fr. Hough when I visited Jesuit High School. After learning that Fr. Hough is trained in celebrating the Extraordinary Form, I invited him to assist me on a regular basis in celebrating the Traditional Latin Mass at Incarnation. Thankfully, he accepted and will begin by being the main celebrant on December 2nd. Please come out to welcome Fr. Hough and extend to him our gratitude and hospitality.

Fr. J. Patrick Hough, S.J., 38, is originally from Lancashire, England, where he attended Stonyhurst College. An athlete and musician, he spent a year teaching math and geography, coaching tennis and working with the music program at St. Ignatius High School in Sydney, Australia. He earned his Bachelor’s degree in Geography from Leeds University, followed by a second Bachelor’s degree in Sacred Theology from the Pontifical Gregorian University in Rome, and he spent an additional year studying theology at Pontifical Angelicum University, also in Rome.

Upon entering the Jesuit novitiate in 2002, he worked at both Sacred Heart Church in El Paso and Strake Jesuit College Preparatory in Houston. He then went on to earn a Master’s degree in Medieval History from Fordham University in New York where he also served as music director of the Sunday evening student mass at St. Paul’s Church. He also studied orchestral conducting and singing at the Juilliard School. During his regency, Fr. Hough taught and served as coach of the rowing team at Jesuit College Preparatory in Dallas, after which he earned his Licentiate in Sacred Theology from the Jesuit School of Theology at Santa Clara University in Berkeley, Calif. While there, he was assistant coach of the freshman rowing team at the University of California in Berkeley.

Fr. Hough is currently assigned to Jesuit High School here in Tampa, where he serves as the Director of the Department of Theology. I am happy to welcome him on board at Incarnation and look forward to his help with the Traditional Latin Mass, and I’m sure you will too.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“The hostile attitude of music directors and distinguished composers prevented the reform from introducing renewal and pastoral participation into sacred music.”

— Hannibal Bugnini

Recent Posts

  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs
  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?

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