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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dom Gregory Murray’s People’s Mass & Holy Week

Jeff Ostrowski · March 24, 2013

OR YEARS, I’ve heard about Dom Gregory Murray’s People’s Mass. At the moment, I won’t reveal too much, since later on I will be posting several rare documents by Dom Murray, but suffice it to say he loved to brag about this Mass. Written first in Latin, later in English, he would brag, saying, “It may not be musically rewarding, but I sold more copies than anybody else.” I have no way to verify his statement one way or the other, but allegedly both versions sold millions and millions of copies.

I have a lot of respect for Dom Gregory Murray’s compositions. At a later date, I hope to post online (for free) his beautiful “organ preludes for manuals only” which he started writing in the 1930s. I’ve played these for a decade and love them. However, when I finally saw his People’s Mass, I was very disappointed. I found it very predictable and uninspired. However, several of the sections are growing on me a bit.

Anyway, here’s the Latin version. Somebody could make a lot of money by “plugging in” the New Translation of the Roman Missal and selling it:

      * *  Dom Gregory Murray’s “People’s Mass” (Latin version) [pdf]

I found this in a fascinating collection that we posted in 2008 by Eugene Lapierre:

      * *  Accompaniment to the Music of Holy Week [pdf]

By the way, Dr. Eugene Lapierre was the one who encouraged Roger Wagner to complete his doctorate “in absentia.” I believe Wagner’s dissertation was on the music of Josquin Des Prez. Anyway, we’ve posted many Gregorian accompaniments by Lapierre, but that book is probably the most exceptional one, because of the interesting things he included. I hope you enjoy it!

It has been in the Lalande Online Library since 2008. As some of you know, in 2008, Corpus Christi Watershed released about 25,000 pages of Sacred music for free and instant download:

      * *  St. Jean de Lalande Website [url]

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

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