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"That good youth, recognizing the dangers in which he was involving himself in so perilous a journey, declared at his departure that the desire of serving God was leading him into a country where he surely expected to meet death." — Fr. Jerome Lalemant, speaking of St. Jean de Lalande
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“In spite of what it is currently called, the music of these songs is not modern: this musical style is not new, but has been played in the most profane places and surroundings (cabarets, music halls, often for more or less lascivious dances with foreign names). The people are led on to rock or swing. They all feel an urge to dance about. That sort of “body language” is certainly alien to our Western culture, unfavorable to contemplation and its origins are rather suspect. Most of the time our congregations, which already find it hard not to confuse the crochets and the quavers in a 6/8 bar, do not respect the rhythm; then one no longer feels like dancing, but with the rhythm gone to pieces, the habitual poorness of the melodic line becomes all the more noticeable.”
— Unnamed choirmaster (Northern France) circa 1986

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1911 Pustet Graduale Romanum
published 19 March 2013 by Corpus Christi Watershed

km0_gradual-tome_1911_Pustet_Graduale_Romanum_1_of_3 HE FOLLOWING BOOK has been made available for free download courtesy of the Jean de Lalande Library. If you appreciate these efforts, please consider making a donation by using the link at the top of the page.

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• Graduale sacrosanctae Romanae ecclesiae de tempore et de sanctis, SS. D. N. PII X. Pontificis Maxximi jussu restitutum et editum. Cui Addita Sunt Festa Novissima. 1911 : : Editio altera ratisbonensis juxta vaticanam. xviii, 552, 204, 152, 11 pages Ratisbonae, Romae, Neo Eboraci et Cincinnati. Sumptibus et typis Friderici Pustet, S. Sedis Apost. et S. Rit. Congr. Typogr. •