About this blogger:
"That good youth, recognizing the dangers in which he was involving himself in so perilous a journey, declared at his departure that the desire of serving God was leading him into a country where he surely expected to meet death." — Fr. Jerome Lalemant, speaking of St. Jean de Lalande
Connect on Facebook:
Connect on Twitter:
Two pages of modal exercises reflect Liszt’s lively theoretical curiosity. On those pages he analysed the construction, transpositions, and “points of repose” of several modes, copied out several types of tetrachords, and jotted down several definitions of the effects and characters of certain modes. {…} Modality was not the only element of Gregorian chant that intrigued Liszt. Rhythm too was the object of his “studies.” He also copied out plainchant melodies using modern instead of square notation. In his letter from July 24, 1860, to Carolyne, Liszt refers to the necessity of this “modern” practice.
— Nicolas Dufetel on Franz Liszt's interest in plainsong

1906 Julius Bas Kyriale Accompaniments
published 19 March 2013 by Corpus Christi Watershed

km0_oak-tome_1906_Julius_Bas_Kyriale_Accompaniments HE FOLLOWING BOOK has been made available for free download courtesy of the Jean de Lalande Library. If you appreciate these efforts, please consider making a donation by using the link at the top of the page.

      * *  1906 Julius Bas Kyriale Accompaniments (PDF)

• Kyriale seu Ordinarium Missae ad exemplar editionis vaticanae, concinnatum, cantum gregorianum, transcripsit et modulationibus ornavit • by JULIUS BAS (Giulio Bas) • Sumptibus Societatis S. Joannis Evangelistae • Desclée, Lefebvre & Soc. • S. Sedis Apostolicae et S. Rituum Congregationis Typographi • Romae – Tornaci – Parisiis • 1906 • He does not honor the “Solesmes salicus” •