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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What Vatican II Said (and Didn’t Say) about the Liturgy

Dr. Peter Kwasniewski · June 13, 2013

HILE THE TOPIC has received quite a bit of attention in some circles, there is still, generally speaking, a surprising lack of awareness of what Vatican II did, and did NOT, say about the liturgy. It seemed to me that it might be helpful to many to have a brief overview of some of the most salient features of the Council’s teaching on the liturgy.

The first document completed by the Fathers of the Second Vatican Council was the Constitution on the Sacred Liturgy, Sacrosanctum Concilium (1963). The introduction exhibits a mystical, contemplative, symbolic vision of liturgy. The remainder enunciates two controlling principles for renewal: first, “Mother Church earnestly desires that all the faithful should be led to that full, conscious, and active participation (actuosa participatio) in liturgical celebrations which is demanded by the very nature of the liturgy” (par. 14); second, “there must be no innovations unless the good of the Church genuinely and certainly requires them; and care must be taken that any new forms adopted should in some way grow organically from forms already existing” (par. 23).

In a 1998 address, John Paul II explained the meaning of the first principle: “Active participation certainly means that, in gesture, word, song, and service, all the members of the community take part in an act of worship, which is anything but inert or passive. Yet active participation does not preclude the active passivity of silence, stillness, and listening: indeed, it demands it. … In a culture which neither favors nor fosters meditative quiet, the art of interior listening is learned only with difficulty. Here we see how the liturgy, though it must always be properly inculturated, must also be countercultural.”

As for the second principle, the Constitution itself models the modesty it recommends. Various positive proposals are brought forward, yet there is a surprising absence of the very things that people most often associate with Vatican II.

The Council never said that Mass should cease to be in Latin and should only be in the vernacular. The Constitution reaffirmed that the fixed parts of the Mass would continue to be in Latin, the very language of the Roman Rite, but gave permission to vernacularize some parts, such as the readings and the general intercessions (par. 36; cf. par. 101). After stating that the people’s language may be used for some parts, the Council added: “Steps should be taken so that the faithful may also be able to say or to sing together in Latin those parts of the Ordinary of the Mass which pertain to them” (par. 54). Latin remains, to this day, the official language of the Roman Catholic Church and of her liturgy, and yet it is surprising, to say the least, that the aforementioned desideratum of Vatican II has only rarely been achieved.

The Council never said that Gregorian chant should be set aside in favor of new songs. On the contrary, the Council acknowledged Gregorian chant as “specially suited to the Roman liturgy” and deserving “pride of place” in the celebration of Mass, along with the great musical compositions of our heritage (pars. 114-117).

The Council breathed not a word about the priest “facing the people.” The Council assumed that Mass would continue to be offered by the priest facing eastwards, with the people, towards the rising sun, symbol of the Christ who is to come—the universal custom of all Eastern and Western liturgical rites from the beginning. In fact, the rubrics of the Missal promulgated by Paul VI presuppose that the priest is facing eastwards.

The Council never dictated that tabernacles be moved from the center of the church, that sanctuaries be “reordered,” or that altar rails be removed. It said nothing about receiving communion in the hand while standing. It assumed that communion under both species would continue to be of rare occurrence among the non-ordained (cf. par. 55); extraordinary ministers of holy communion are nowhere mentioned. Lastly, the Council did not downplay or discourage traditional practices of piety such as Eucharistic adoration and Marian devotions.

OW, HERE IS NOT THE PLACE to discuss the larger significance of these factual observations. My main point is that if any New Evangelization is going to take place and bear fruit, we need to know what Vatican II taught, and did not teach, about the liturgy—what it asked for, and what it did not ask for. It also helps to know the rationale behind the Church’s liturgical traditions. Just as importantly, we need to listen to the Vicar of Christ, who guides the Church in understanding and implementing the teaching of the Council.

Consider, then, how Pope John Paul II in a 2001 address explained the essence of the Mass: “The celebration of the Liturgy is an act of the virtue of religion that, consistent with its nature, must be characterized by a profound sense of the sacred. In this, man and the entire community must be aware of being, in a special way, in the presence of Him who is thrice-holy and transcendent. Consequently, the attitude of imploring cannot but be permeated by reverence and by the sense of awe that comes from knowing that one is in the presence of the majesty of God. … [The Mass] has, as its primary aim, to present to the Divine Majesty the living, pure, and holy sacrifice offered on Calvary once and for all by the Lord Jesus, who is present each time the Church celebrates Holy Mass, and to express the worship due to God in spirit and truth.”

Anyone who attends a Catholic liturgy ought to be able to see, hear, and internalize the attitude and the aim of which the late Holy Father is speaking. Pope Benedict XVI taught us, in word and in deed, the very same lessons. Joseph Cardinal Ratzinger wrote many years ago: “In the history of the postconciliar period, the Constitution on the Liturgy was certainly no longer understood from the viewpoint of the basic primacy of adoration, but rather as a recipe book of what we can do with the liturgy. In the meantime, the fact that the liturgy is actually ‘made’ for God and not for ourselves seems to have escaped the minds of those who are busy pondering how to give the liturgy an ever more attractive and communicable shape, actively involving an ever greater number of people. However, the more we make it for ourselves, the less attractive it is, because everyone perceives clearly that the essential focus on God has increasingly been lost.”

It is this essential focus that Pope Benedict, guided by the real teaching of the Second Vatican Council, strove mightily to lead us to recover. Under Pope Francis, the future has great things in store for us—if only we will trust and embrace the age-old wisdom and experience of the Church. She herself knows better than the experts who set up their trade in her temple, and, when the Lord in His mercy wills it, she will make a whip of cords and drive them out.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“In the Latin Church the pipe organ is to be held in high esteem, for it is the traditional musical instrument which adds a wonderful splendor to the Church’s ceremonies and powerfully lifts up man’s mind to God and to higher things.”

— Vatican II Council

Recent Posts

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  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)

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