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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Does Your Missal Obey Pope Paul VI?

Jeff Ostrowski · June 13, 2013

ERE IS A QUOTE you might enjoy. It comes from Very Rev. Edward Eugene Malone, O.S.B., who (among other things) was a seminary professor at St. John Vianney Seminary in Nebraska. By the way, does anyone know if that seminary still exists? If so, let us know in the combox.

Writing in 1962, Fr. Malone says:

In many missals offered for the use of the layman, the tendency has been in recent years to eliminate the Latin texts altogether. This was probably not the wisest policy. Whatever concessions may be made to the laity in the future in the use of the vernacular in the Mass, the text of the Mass said by the Priest will most certainly remain in Latin. The new missal makes a desirable compromise by presenting the principal parts of the Mass in both Latin and English. In a world in which Catholics travel from one continent to another in a matter of hours, the Latin of the Mass gives them a sense of being at home at least in church, wherever they may be. Moreover, whatever other changes in the Mass may be forthcoming, the sung Mass is still apt to be in Latin. No suitable melodies have been yet fashioned to fit the vernacular text of the Mass. Gregorian Chant is apt to remain the singing voice of the Church for a good many years to come.

At the end of this blog entry, I’ve included a link to the entire piece, which is worth reading. As our readers know, the Campion Missal contains both English and Latin, and we will soon be releasing a second edition (which we’re very excited about), but that’s not what I wish to mention at this time.

HAT I FIND INTERESTING, (as you may have already guessed) is that Fr. Malone assumes Latin and Gregorian chant will always be part of the Roman Rite. That is what the Second Vatican Council called for, but, as we all know, it did not happen. One easy way to find out if a priest is truly committed to the teachings of the Second Vatican Council is to observe whether his parish Masses give Gregorian chant “first place” (Sacrosanctum Concilium, §116), employ Latin (Sacrosanctum Concilium, §36), and hold the pipe organ in high esteem (Sacrosanctum Concilium, §120).

Here is something you might not realize. Pope Paul VI specifically ordered that all Catholics “faithfully observe” the following mandate, beginning 7 March 1965:

“Missals to be used in the liturgy shall contain besides the vernacular version the Latin text as well.”

Perhaps I should place that mandate in bold letters:

“Missals to be used in the liturgy shall contain besides the vernacular version the Latin text as well.”

His Holiness Pope Paul VI gave this mandate specific approval and confirmed it by his authority, ordering that it should be published and faithfully observed by all concerned, beginning on 7 March 1965. Sadly, it has not been followed. Just the other day, I attended a wedding wherein the priest was trying to use a lot of Latin. He was forced to have two (2) Missals on the Altar at all times, and it was a mess. That’s really sad. The publishers ought to have listened to Pope Paul VI.

Finally, here’s the article I mentioned at the beginning of this blog post:

      * *  Review of The Layman’s Missal by Very Rev. Malone, OSB [pdf]

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

The local church should be conscious that church worship is not really the same as what we sing in a bar, or what we sing in a convention for youth.

— Francis Cardinal Arinze (2005)

Recent Posts

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  • “The Unselected Hymn” • Do You Recognize It?
  • 2026 Sacred Music Pilgrimage (Washington DC) • With Richard J. Clark
  • “Reminder” — Month of April (2026)
  • “Gregorian Chant Isn’t a Platform for Your Personal Theories, Jeff” • (A Letter We Received)

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