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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Does Your Missal Obey Pope Paul VI?

Jeff Ostrowski · June 13, 2013

ERE IS A QUOTE you might enjoy. It comes from Very Rev. Edward Eugene Malone, O.S.B., who (among other things) was a seminary professor at St. John Vianney Seminary in Nebraska. By the way, does anyone know if that seminary still exists? If so, let us know in the combox.

Writing in 1962, Fr. Malone says:

In many missals offered for the use of the layman, the tendency has been in recent years to eliminate the Latin texts altogether. This was probably not the wisest policy. Whatever concessions may be made to the laity in the future in the use of the vernacular in the Mass, the text of the Mass said by the Priest will most certainly remain in Latin. The new missal makes a desirable compromise by presenting the principal parts of the Mass in both Latin and English. In a world in which Catholics travel from one continent to another in a matter of hours, the Latin of the Mass gives them a sense of being at home at least in church, wherever they may be. Moreover, whatever other changes in the Mass may be forthcoming, the sung Mass is still apt to be in Latin. No suitable melodies have been yet fashioned to fit the vernacular text of the Mass. Gregorian Chant is apt to remain the singing voice of the Church for a good many years to come.

At the end of this blog entry, I’ve included a link to the entire piece, which is worth reading. As our readers know, the Campion Missal contains both English and Latin, and we will soon be releasing a second edition (which we’re very excited about), but that’s not what I wish to mention at this time.

HAT I FIND INTERESTING, (as you may have already guessed) is that Fr. Malone assumes Latin and Gregorian chant will always be part of the Roman Rite. That is what the Second Vatican Council called for, but, as we all know, it did not happen. One easy way to find out if a priest is truly committed to the teachings of the Second Vatican Council is to observe whether his parish Masses give Gregorian chant “first place” (Sacrosanctum Concilium, §116), employ Latin (Sacrosanctum Concilium, §36), and hold the pipe organ in high esteem (Sacrosanctum Concilium, §120).

Here is something you might not realize. Pope Paul VI specifically ordered that all Catholics “faithfully observe” the following mandate, beginning 7 March 1965:

“Missals to be used in the liturgy shall contain besides the vernacular version the Latin text as well.”

Perhaps I should place that mandate in bold letters:

“Missals to be used in the liturgy shall contain besides the vernacular version the Latin text as well.”

His Holiness Pope Paul VI gave this mandate specific approval and confirmed it by his authority, ordering that it should be published and faithfully observed by all concerned, beginning on 7 March 1965. Sadly, it has not been followed. Just the other day, I attended a wedding wherein the priest was trying to use a lot of Latin. He was forced to have two (2) Missals on the Altar at all times, and it was a mess. That’s really sad. The publishers ought to have listened to Pope Paul VI.

Finally, here’s the article I mentioned at the beginning of this blog post:

      * *  Review of The Layman’s Missal by Very Rev. Malone, OSB [pdf]

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“We must strip from our Catholic prayers and from the Catholic liturgy everything which can be the shadow of a stumbling block for our separated brethren—that is, for the Protestants.”

— Monsignor Annibale Bugnini (March, 1965) in L’Osservatore Romano

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