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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pope Pius XII speaks about the Liturgy (1956)

Jeff Ostrowski · July 30, 2013

592 Pacelli Rottenburg Nuncio Pacelli — procession in Rottenburg circa 1919 ECENTLY, I had occasion to consider words spoken by Pope Pius XII on 2 November 1954: “This is to be done only for a justifiable reason, and provided the Bishop has not forbidden it because of the danger that the faithful might think it strange.”

We see that Pius XII is careful, lest any novel liturgical actions harm the faithful. I wish bishops had used the pastoral sensitivity of Pius XII in the years following the Second Vatican Council.

Those words of Pius XII remind me of a private letter written by his predecessor, Pope Pius XI:

Of interest is also a responsum privatum of Pius XI to Rev. Beatus Reiser, O.S.B. (June 29, 1930) concerning the use of the orchestra in church: where it has hitherto not been introduced, it should not be in the future; where it can be done away with without too much difficulty on the part of the faithful, it should be abrogated; but where it is an inveterate custom, the use of orchestra should only gradually be cut back till it disappears; in exceptional cases with the Ordinary’s permission, Mass with orchestra can be permitted. Though this is only a private reply, it gives the mind of at least Pius XI on the matter.   [source]

Again, we see the truly pastoral understanding of these great popes.

YEARS AGO, I SHARED with a very smart priest the words of one of the piccoluomini, who had criticized Pius XII for wearing beautiful vestments. I’ll never forget the priest’s reply: “Yes, men like Pacelli actually knew and believed what the Episcopacy represents.” There was nothing more to be said.

Pope Pius XII was, perhaps, the most intelligent person of the entire 20th century. He wrote so much, it would take a lifetime to read it all (with understanding). For instance, his words on “antiquarianism” (Mediator Dei, 20 November 1947) are worth looking at. So are his words about concelebration quoted in the 1958 Instruction. Speaking of concelebration, Bishop Peter J. Elliott has written:

Concelebrating “mentally”, in total silence, is contrary to the practice of the modern Roman Rite. In 1956, anticipating the restoration of concelebration, Pope Pius XII decided that our Rite would follow the Russian practice whereby all concelebrants articulate the words of the epiklesis and the consecration together with the principal celebrant. Cf. Pope Pius XII, Address to the International Congress on Pastoral Liturgy on the Liturgical Movement, September 22, 1956, II. 1, “Actio Christi”.

I strongly recommend reading the following speech (mentioned by Most Rev. Elliott):

      * *  Pope Pius XII speaks about the Liturgy (22 September 1956)

Therein, Pope Pius XII speaks about so many different aspects of liturgy. And now I will not say another word, because this document speaks for itself. Please read it!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Concelebration, His Holiness Pope Pius XII Last Updated: March 16, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”

— Archbishop Marcel Lefebvre (1965) praising vernacular readings at Mass

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