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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Resignation of Pope Benedict XVI

Jeff Ostrowski · February 27, 2013

T THIS TIME, I will share a few reflections on His Holiness, Pope Benedict XVI. I apologize that these thoughts of mine are not given in the most satisfactory order or with great eloquence. Hopefully they will still be of interest to the reader. They come from the heart.

Pope Benedict XVI is a holy, brave, brilliant servant of Jesus Christ. A few months ago (prior to Benedict announcing his resignation), we included his picture in the banner of our Blog Header. He is pictured at Mass, acting as Subdeacon, holding the Paten and wearing the Humeral Veil. This action by the Subdeacon is done during Solemn Mass, and the history of it is astounding, going back many centuries. Some time ago, I spent close to three weeks researching the liturgical history of this action. I will not share the results here (for obvious reasons), but suffice it to say that showing our Holy Father performing that action at Mass is deeply significant. I would welcome an opportunity at some later date to explain exactly why.

When Pope Benedict XVI writes, I can “hear” his voice in the written words. I can tell he is the author. He speaks to the heart. For instance, which one of us could remain unmoved after reading his Stations of the Cross? At this time, I would merely repeat that he is a brilliant theologian.

I believe his resignation is the perfect end to a truly great Pontificate. By his resignation, he is “leading the way.” He is reminding the popes who will succeed him that men are living longer these days. The average lifespan of a human being today is much greater than in 1913, 1813, 1713, or 1613. Therefore, future popes ought to follow Benedict’s lead when they become so old and feeble they can no longer adequately run the Catholic Church. They should follow Benedict’s lead by reducing the number of trips a Pope makes and concentrate more on running the Church. They should follow Benedict’s lead (when the time is right) by voluntarily renouncing “power” of being the boss of a billion Catholics. How few of our leaders show such humility! They should follow Benedict’s lead by continuing to reform the Liturgy, making sure it is truly sacred.

I believe that Pope Benedict was one of the greatest popes of all time. I was trying to think of a fitting way to honor this great servant of Jesus Christ. To this end, I will now reproduce an amazing article Pope Benedict wrote when he was still Cardinal Ratzinger. This article was written on the occasion of the retirement of Monsignor Georg Ratzinger, the Pope’s older brother. The masterful translation is by Fr. Robert Skeris, who for many years has promoted the teachings of Cardinal Ratzinger in a way very few others have. This article is truly profound, and notice that Pope Benedict does not shy away from the hard questions. Rather, he tackles them head on:

      Betwixt and Between the Regensburg Tradition and Postconciliar Reform [pdf].

I wish had words of great eloquence to speak at this time. I do not. All I can say is,

“Farewell, great Pope. Farewell, defender of the Holy Doctrine of Jesus Christ. Farewell, humble and saintly man. We love you. Please pray for us.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

Is this the dumbest statement ever written? “When considering texts for his motets, Gombert obtained his inspiration from Scripture—such as the Psalms—as opposed to the liturgy of the Roman Catholic church.”

— Wikipedia

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  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns

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