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1934 “Antiphonale Monasticum” (Solesmes Abbey) • Free PDF Download!

Jeff Ostrowski · December 4, 2013

THE FAMOUS 1934 Antiphonale Monasticum published by the monks of Solesmes can now be downloaded in its entirety:

* * Part 1 of 3 • pp. 1 – 363

* * Part 2 of 3 • pp. 364 – 763

* * Part 3 of 3 • pp. 764 – 1,296

Part 3 had some missing pages. These were added as of 10 December 2013 thanks to Gustav Valencia.

Father Brian T. Austin, FSSP, has created a B/W version—based on our scanned copy—which can be downloaded:

* PDF Download • ANTIPHONALE MONASTICUM (1934)
—Scanned and uploaded by Corpus Christi Watershed.

IT IS INTERESTING TO NOTE that Fr. Paul Jausions (†1870) was born in 1834, precisely a century before the publication of the Antiphonale Monasticum. After Jausions’ death (in America!), his associate, Fr. Joseph Pothier, took the reins, and history knows what he was able to accomplish. The 1934 Antiphonale, however, might be regarded as the “crowning achievement” of the Solesmes monastery (unless it was the 1903 Liber Usualis). Dom Gajard is generally believed to have been the motivating force behind its publication.

Not everyone appreciated this work. In 1960, Msgr. Francis P. Schmitt wrote in the Caecilia:

“The Monastic Antiphonal is proof that the archaeologists never gave up. One can have no objection to the adherents of Solesmes singing what they please, but it is a fair and conjured guess that a cursory reading of the Monastic Antiphonary, and other books said to be in preparation, will make most people grateful that the like was not released upon the unsuspecting public some fifty years ago.”

THOSE WHO WISH TO LEARN MORE about Abbot Joseph Pothier, Fr. André Mocquereau, and the Vatican Edition might be interested in the following:

VIDEOS: 01 • 02 • 03 • 04 • 05 • 06 • 07

Article by Jeff Ostrowski — The rhythm of the Vatican Edition (PDF)

(1906) Fr. Henry Bewerunge’s Attack on the Vatican Edition (PDF)

(1906) Prior T. A. Burge, O.S.B. Defense of the Vatican Edition (PDF)

(1907) Dr. Peter Wagner’s Article on the Vatican Edition (PDF)

A few extra items worth noting:

Alternate Version of Article (with minor changes)
Hayburn Dissertation (Page 317)
Translation Explained

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

New Bulletin Article • “21 September 2025”

My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why some folks become delirious with jealousy when they observe certain feats by Monsignor Ronald Knox.

—Jeff Ostrowski

Cheap! Cheap! Cheap!

It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…

—Jeff Ostrowski

PDF Download • Dom Murray Harmonies

Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”

—Jeff Ostrowski

Karl Keating • “Canonization Questions”

We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.

—Corpus Christi Watershed

Vatican II Changed Wedding Propers?

It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.

—Corpus Christi Watershed

Solemn “Salve Regina” (Chant)

How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).

—Corpus Christi Watershed