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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Gift of Music

Fr. David Friel · August 18, 2013

O YOU EVER FALL INTO THE TRAP of thinking that the music you make is your gift to God? To a certain extent it is. Yet, in a much deeper sense, it is not.

After a lengthy passage recalling the Lord’s goodness to His people throughout history, Joshua makes a beautiful observation: “[The Lord] gave you a land that you had not tilled and cities that you had not built, to dwell in; you have eaten of vineyards and olive groves which you did not plant” (Joshua 24:13). Everything we have—material & spiritual—is the gratuitous gift of God. Nothing we could ever do or offer really originates in us. Everything issues from above.

Even the offerings we make at Mass do not truly come from us. The bread and wine, to be sure, are the handiwork of a farmer and vinedresser. But are they ultimately responsible for the bread and wine? They may plant and tend the wheat and the grapes, but it is God Who provides the growth. This notion is included in the text of Eucharistic Prayer IV: “Look, O Lord, upon the sacrifice which You, Yourself, have provided for Your Church.” It’s in the Roman Canon, too: “We . . . offer to Your glorious majesty, from the gifts that You have given us . . . the holy Bread of eternal life and the Chalice of everlasting salvation.”

A popular English hymn elaborates on this idea:

We plough the fields, and scatter the good seed on the land; But it is fed and watered by God’s almighty hand: He sends the snow in winter, the warmth to swell the grain, The breezes and the sunshine, and soft refreshing rain.

Chorus: All good gifts around us Are sent from heaven above, Then thank the Lord, O thank the Lord For all His love.

He only is the maker of all things near and far; He paints the wayside flower, He lights the evening star; The winds and waves obey Him, by Him the birds are fed; Much more to us, His children, He gives our daily bread.

We thank Thee, then, O Father, for all things bright and good, The seed time and the harvest, our life, our health, and food; No gifts have we to offer, for all Thy love imparts, But that which Thou desirest, our humble, thankful hearts.

We see the same truth spelled out in little children. When their parents’ birthdays come around, young children have no means with which to purchase a meaningful gift. Very often at Christmastime, the money children have to buy gifts for their family members is actually given to them by their parents. All that children can offer on their own is perhaps a worthless piece of refrigerator art. What gives such a gift value is that it was made and given with love.

Before God, we all must look very much like young children. Nothing we have is really ours. We cannot fairly take credit for any of our possessions, nor any of our talents. All that we can truly offer is ourselves.

Fortunately, that is precisely what the Lord wants from us.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

After sixty years as teacher, composer, and organist, I may state that the Gregorian Chant should be part of the basic material of any musical education, be it religious or secular. The study of it enormously enlarges the spiritual background of any musician. Whereas students in literature will always be required to study Dante, Petrarch and Chaucer, why neglect Gregorian in music education?

— Flor Peeters

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