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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Arundel hymns

Veronica Brandt · April 26, 2013

THE ADVERTISING copy for a Catholic hymnbook published in 1905:

Arundel Hymns, chosen and edited by Henry Duke of Norfolk and Charles T. Gatty, with Introductory letter from Pope Leo XIII., Preface, etc. Complete in one volume (553 pages), price 6s. net. Parts I to VII. 1s. each. Published by Boosey & Co., 295 Regent Street, London, W.

Also, listed in the adverts in the back:

Words only, Complete Edition. Price in leather, with gilt edges, and printed on special paper, 2s.; in cloth, 1s.; in stiff paper 9d.

Words only, Abridged Edition, suitable for poor Missions. Price, in cloth 6d.; in stiff paper, 3d.

Arundel Masses — William Byrd’s Mass for 3 voices and Missa de Angelis.

Arundel Antiphons, simple settings by classical composers, with Latin words.

I haven’t seen the rest of these books, only the complete one volume edition thanks to the Internet Archive. I don’t have a picture of the original binding, but here is the copy I put together through Lulu.

The Church of England beat us to writing the first big collections of English hymns and we couldn’t just copy. So Catholic hymn books from around the time of Catholic emancipation have a difficult task. To try collect a distinctly Catholic collection of hymns from the bits left over by the heretics and schismatics.

This is an over simplification. Catholics have a huge treasury of hymns in Latin and these had been translated into English by quite a few scholars. But a persecuted Church who had been excluded from higher education for so long looked upon these with suspicion.

Enter the fifteenth Duke of Norfolk a descendant of St Philip Howard, 20th Earl of Arundel who died in the tower of London in 1595. At long last the government permits Catholic churches to be built, so he builds one. The Church of Our Lady and St Philip Neri, built in 1868-1873, now serving as Arundel Cathedral. You can see it on the cover of this paperback copy in the picture.

They need hymn books, so he teams up with a learned antiquarian to produce a new book. In some ways it is quite impractical. Such a mixture of favourite poems and hymns. Little motets by William Byrd alongside “Matthew, Mark, Luke and John, bless the bed that I lie on.” Most are given in four parts. Some poems are left without any music-maybe just for the edification of the reader. But such a mixture of styles offers something for everyone. I’m probably not the only one to have grown up reading the hymnbook during Mass – so it serves as a prayer book too. It’s also designed for use in Catholic Schools so even has a song praying for fair weather for the summer holidays “From rain and sadness, keep us free and send the sun to cheer us.”

        1.  Click here to view on Open Library.

        2.  Click here to buy a tidied up copy from Lulu.

They may have overdone it in providing alternative tunes. Most have at least one tune spare in case the first doesn’t fit.
But do we need 12 settings of Stabat Mater?
13 of Ave Maris Stella?
14 of Tantum Ergo?
15 of O Salutaris Hostia?
Maybe we don’t need them, but they are good to have.

Though it might not serve as a practical pew book in a parish today, Arundel Hymns might be more of a treat for someone who learns new hymns for fun. Maybe to dip into after a choir social night round the piano.

And if anyone has any of the other editions, contact me.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymnbooks Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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